At first, Jiang Baige just thought about it.
After all, her novel is only halfway through serialization, and the heroine has just succeeded in her revenge.
It happened to be the weekend, and Jiang Baige was going to work hard to finish the book in March. Unexpectedly, as soon as I opened the author's backstage, I was struck by lightning.
Her desire to change her career and write articles has reached its peak.
It’s not because the data is bad.
On the contrary, readers were quarreling in the comment section - if there is a comment section hot list, her book must be on the list.
But what readers are discussing is not whether the heroine’s revenge is logical, but the emotional issue: before the revenge was successful, the heroine was framed for an unintentional palace fight and was thrown into the cold palace, thus quarreling with the emperor. The guards were on the same page... sparking a heated argument.
The views of the "Three Improper Views" group are relatively concentrated:
[The heroine is too unruly! 】
【This is cheating! ]
[This emperor is too pitiful...]
Of course another group of readers who supported the heroine gave up and quickly counterattacked:
[ The emperor still has three palaces and six courtyards, why don't you say that he is not a husband? ]
[It’s so funny, when the emperor doesn’t listen to the heroine’s explanation and insists on throwing someone into the cold palace, why doesn’t anyone say that the emperor has no heart? Instead, blame our heroine for not having Gong Douxin and deserve to be tortured? ]
[Women can hold up half the sky, and the way the heroine chooses is "women's way"! 】
【Whose perspective is it that feels sorry for the emperor? You don’t even notice the obvious “heroine” label! It really opened my eyes! ]
[People in ancient times were not as feudal as you! 】
But "Three outlooks are not decent" will not admit defeat and continue to output:
[What about the heroine? Can the eldest heroine trample on the male protagonist? ]
[In ancient times, men had three wives and four concubines. It is no wonder that the ancient people wrote "feudal" ancient sayings! 】
In this tit-for-tat confrontation, there are still some CP gang members of the female protagonist and the guards who are struggling to survive in the cracks:
[Raising hands silently, the author did not say that the emperor is the male protagonist. Bar? ]
[Damn it, our little guards are just a little lower in status, and we love a lot more than the emperor's playboy! 】
【The male protagonist is the one who is not loved by the heroine! This bodyguard will never be a slave! ]
...
After Jiang Baige finally finished reading all the comments so far, he breathed a sigh of relief.
After half a year of hard work, she no longer gets upset when she sees unsatisfactory comments. Even if I feel heartbroken, it’s not this time.
Because this time some readers are on her side.
Moreover, Sun Sweet Egg is right - there isComments are better than no comments!
However, the story is only halfway through, and several male supporting characters have not appeared at all, and the comments are so noisy.
If this story continues...
For example, the emperor has to burp his farts.
But the problem is that the guard will also die - of course, he will become the white moonlight in the heroine's heart.
However, I don’t know if the heroine later finds those young men who look like guards to accompany her to bed. Will readers think that the heroine is affectionate towards the guards, or is she unsympathetic?
I can’t even think about it.
But in all of this, what worries Jiang Baige the most is the deviation of everyone’s focus: what she wants to write is obviously the growth path of a generation of female empresses!
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Love is just an adjustment. After all, although it is an illusion, it is an "ancient illusion" after all.
Some readers who think she has "incorrect views" are right. In that social background, if the heroine is not a princess, she must become a concubine in order to become an empress.
The reason why she wanted to write about the heroine's experience of being left out was, of course, to create a conflict first so that she could have a story to write.
But more importantly, the heroine must "see clearly" one thing in order to grow, that is: people under the roof have to bow their heads.
Palace fights are no easier than power fights. It can even be said that palace fights are exercises in advance for future power fights.
Because the woman in the harem is not just herself, but her family - they were once victims of maintaining the glory of the family, but some of them chose to become accomplices.
If you can't even defeat the "puppets" of those aristocratic families and powerful officials, how can you compete with them in the court in the future?
However, there are too few people who care about the growth of the heroine.
Is this the reader’s fault?
Jiang Baige thought about it, and it was not the case, because if she put the news about a war in a local area together with the gossip about the illegitimate son of a certain rich man who had hidden for many years and came back to rob the family property, she would also compare it. Want to see the latter.
Is that because she wrote it poorly?
Even if it is, she will not admit it!
Moreover, black and red are also red, and the heat caused by the quarrel is also heat. At least this kind of discussion was something she had never seen in her previous life.
Isn’t this a good thing?
It was just the first time she saw it, so she was a little overwhelmed.
She thought for a while, closed the woRd document and website, and tried to send a message to Linlang: [Madam, I wonder if you are free? Can I talk to you about writing articles? ]
After all, Linlang is the best person she can vent her bitterness to now.
Although Sun Sweet Egg is also good, her writing is basically non-existent.As for the emotional line, there will be fewer disputes.
Jiang Baige thought of a passage she had read in her previous life, which said that true heroism is to see through the essence of a man but still be heterosexual.
It’s the most painful for an author like her who doesn’t like to write emotional dramas, but is the one who is most recognized by readers when writing emotional dramas!
Linlang quickly replied: [What’s wrong, little white pigeon? ]
Since the two got acquainted, Linlang called her "little white pigeon".
This also coincides with the previous life, because her previous pen name was "White Gebu Ge". Now she has changed her pen name, but her online name is still "White Ge".
Jiang Baige: [If you offend me, I'll apologize first! The main reason is that the novel I recently wrote has a main female protagonist, and now there is only a second male supporting character, and the comment area is so noisy. I simply can’t imagine that if everyone knows that there will be several men in the future...]
Linlang: [Hey, I understand! However, people under the eaves have to bow their heads! ]
Huh? These words...the words Jiang Baige gave to the heroine of his novel just now, now come back to her.
Jiang Baige: [Hey, actually I understand too. It’s just that what I mainly wanted to write wasn’t an emotional drama, so it was heart-breaking for everyone to go astray to this extent. ]
Linlang: [What kind of story are you writing? ]
Now that Linlang has asked this, Jiang Baige suddenly remembered the "mission" of this life - to drag Linlang to Nanlin.com after the collapse of Huayu.com.
This is a great opportunity!
Jiang Baige sent the link to his column without much hesitation.
Sure enough, after a while, Linlang sent another message; [It turns out to be an ancient fiction. This is really easy to be scolded. To be honest, I am also quite curious. What are the readers who scolded me? Whose perspective is it being assumed...]
It seems that Linlong even glanced at the comments.
Just when Jiang Baige was halfway through, Linlang sent another message: [But since you want to write about the heroine, why don’t you write it in a modern context? 】