Meng Chuan started writing and drew the 'Entrance to the World' in thick ink in the center of the entire painting. Monsters were densely coming out of the entrance to the world and spreading in all directions.
He drew slowly, just drawing a rough outline of the shadow.
Then focus on one of the monsters spreading in all directions, which is a mantis monster. The mantis monster was drawn extremely carefully because it was when he was six years old when he was chased by monsters. The most impressive monster.
......
While Meng Chuan was painting, in the space between his eyebrows, the translucent little man began to shine with spiritual light again. In so many years, since "Looks of All Living Beings", this is the second time that the translucent little person in the center of the eyebrow has changed.
......
Meng Chuan was immersed in painting. He mainly painted the mantis monster and the family of three that the mantis monster was chasing.
The father ran away with the child on his back, while the mother rushed towards the mantis monster with a sword.
On this scene alone, Meng Chuan spent more than two hours painting it with great care. This is just a corner of this huge painting.
When he stopped writing, Meng Chuan discovered the change in the space between his eyebrows.
"The little person in the space between my eyebrows actually glows slightly?" Meng Chuan was surprised, but the spiritual light gradually weakened.
"The appearance of the space between the brows is actually related to my painting." Meng Chuan was surprised. When he was sixteen years old, he painted the painting "Appearances of All Living Beings", which was also his highest achievement in many years. A painting, the night after he finished it, he discovered the space between the eyebrows and gained the power of the heart and soul. But at that time, he was still not sure that it was related to painting.
I’m afraid it’s just a coincidence.
But this time when he was painting, the intense emotion was no less intense than when he was painting "Appearances of All Living Beings", the scene where the little people in the space between the eyebrows shined brightly, which made him completely sure.
It’s related to painting!
"I've never heard that painting can produce mysterious power of the soul?" Meng Chuan thought for a long time and couldn't figure it out, "That's all, we must find out when we enter Yuanchu Mountain. ”
At least now it seems that the power of the soul is of great help to me.
******
From this day on, Meng Chuan completely integrated the strong emotions in his heart into the painting. This painting also took a long time, as little as an hour a day. , as long as two or three hours.
After more than six months, Meng Chuan finally finished the painting.
This is a set of paintings, divided into three paintings.
The first painting is one foot and six feet long.
In the center of the scroll, there are densely packed monsters coming out of the entrance to the world, spreading in all directions.
Monsters are chasing you everywhere.
There are scenes where parents want to protect their children, but all of them are pierced by the monster's sharp tail.
There are scenes of corpses all over the ground.
There was a scene of a child standing there crying and an old man fighting a monster.
There are also scenes of fathers running away with their children on their backs, and mothers holding swords to fend off monsters...…
Meng Chuan painted a total of thirty-eight scenes, each of which clearly showed the appearance of monsters and people. They were all scenes that he had personally experienced or seen with his own eyes. Every time he painted... the 'fire' in his heart became more intense.
......
Then the periphery.
A little further away from the monsters, the Taoist disciples, street vendors, and ordinary pedestrians on the road were all panicked.
……
The outermost.
There is Yuyang Palace, where three gods and demons are waiting.
There is another place everywhere.
In the Taoist courtyard, all the weak disciples entered the tunnel, while the stronger disciples looked at the monsters in the distance with determination or anxiety. These teenagers, led by Dean Jiaoyu and others, and led by some retired adults, prepared to fight together.
Ordinary houses, restaurants and other prosperous places, families of gods and demons... Without exception, women, children, the elderly and other weak people are queuing up to enter the tunnel.
And every powerful person, regardless of gender, old or young, will fight side by side.
......
The sun in the picture scroll of China has just emerged from the edge, which obviously indicates that the demon clan invaded in the early morning.
This is just the first painting.
The second painting is eight feet long.
It’s much more cruel and bloody.
In the center of the screen, the core area invaded by monsters is a pile of corpses, including men, women, old and young, and some teenagers wearing Taoist robes.
But on all sides, there are battles everywhere.
A human warrior held a shield to resist the monster, while another human warrior fired an arrow from a distance.
A human being was stabbed in the abdomen, but he still hugged the monster tightly. Another companion chopped off the monster's head with a knife.
Some people set up traps and successfully killed monsters. There were other monsters rushing next to him.
A father and son team up to deal with monsters.
Disabled veterans deal with monsters.
......
Meng Chuan had seen all kinds of tragic scenes with his own eyes, and it was very common for Dongning Mansion to be invaded by monsters. He just drew these things in his memory one by one. The determination in the eyes of those who died together with the monsters, their companions continued to fight despite the pain...
"Why are they so desperate?" Meng Chuan was once confused.
In the process of his painting.
When he drew each living person, he understood.
They are for hope.
For the loved ones I care about most, there is still hope. You can also see the sun rising.
They need to fight to find a way for their families to survive.
......
The Taoist Academy is also struggling. The demon clan has entered Lieyang Castle. Veterans, soldiers and young boys who are still very immature are resisting frantically. With. Build with lifeIt became a wall to protect the weaker junior brothers and sisters who were hiding in the tunnel.
......
The gods and demons family are also fighting, with the elders rushing to the front to resist the monsters, and the younger generations and teenagers are also fighting. A bald old man rushed to the front, but his chest had been pierced by a tentacle, but he still killed a monster with one slash.
......
Yuyang Palace is also struggling. One god and demon has fallen, and a female god and demon is struggling to hold on. Only one male god and demon is still fighting. Facing four demon kings.
They only have one god and demon left who still has enough fighting strength, but they are still fighting.
Also for hope.
......
The sun in this painting has risen a little higher, a little higher.
The whole painting is full of fighting, and it took Meng Chuan three months to paint this painting.
******
The third picture is one foot and six feet long.
The situation on the entire battlefield reversed. People from all directions began to attack the monsters, and the monsters began to flee in panic.
All the monsters are on the run.
They will also be scared, embarrassed, and killed one by one.
They rushed frantically towards the central ‘world entrance’, which was where they came from and where they are now escaping.
And the periphery.
In Yuyang Palace, a sword light descended from the sky and beheaded the demon king. The other demon kings also fled in confusion.
In the Taoist temple, everyone is treating seriously injured companions, including adults and teenagers.
At the same time, there were also people who died in the battle, men, women, old and young. They were either very young, or very beautiful, or very old, but all of them fell. There were many people crying on the side.
A place everywhere.
Ordinary houses, restaurants and teahouses, families of gods and demons, etc., all began to treat the injured and collect the bodies of the dead.
Although I have won, there is no joy in the whole painting. What I feel is the ‘fighting spirit’, a stronger fighting spirit! The hero dies, but the living people will continue to move forward and continue to fight, never ending.
In the east of the city, the sun rose higher.
The color of the entire painting is also brighter, as if it is illuminated by the sun.
......
Meng Chuan was silent for a long time after finishing the painting, and then he wrote four words on the last painting - 'Toward the sun'. He did not write names on either the first or second painting.