no personality > All-around great painter > Chapter Thirteen Master Style

Chapter Thirteen Master Style

Only two drawing boards were taken.

After some discussion, since the time limit was only five minutes, the Sakai siblings were asked to draw first, followed by Gu Weijing and Tanaka Masakazu.

In fact, not many people in the field really care about the competition in the latter group, but for rising stars like the Sakai sisters who have already become famous in the industry before attending a professional college of art, everyone, Very interested.

"Katsuko, Tsunamasa, come on"

Professor Kazunari Sakai in the crowd waved his fist.

Gu Weijing's eyes fell on this middle-aged uncle.

If Mr. Cao hadn't unexpectedly been willing to come out, the host of this master project would have been this fat uncle who looked like a ball.

The most intuitive impression of the uncle is that he is fat. He is wearing a beige windbreaker and is as round as a penguin.

Uncle Kazunari Sakai’s facial features are not bad at all, and he was also an idol painter when he was young.

According to the reporter who is familiar with the Japanese local art magazine.

When the famous painter Kazunari Sakai was studying at the Royal Academy of Fine Arts in Spain, his classmates would even call him "Byron from the East", a handsome man with deep eyebrows and a hint of melancholy. young man.

Uncle Sakai, like many artists who gradually let themselves go after becoming famous, prematurely completed the two important life goals of "winning an award at an art exhibition" and "becoming a beautiful junior girl in school". In terms of body management, I have completely flattened myself.

At least Gu Weijing now really can’t see how this fat man, whose waistline is almost as tall as his height, is anything like a Byron.

Sakai Katsuko has already walked to the drawing board and started to make preparations.

Sakai Tsunamasa was still lingering on the spot. He really didn’t want to draw together in this situation. Unfortunately, he couldn’t resist the stern eyes of his father and sister, and finally moved to the drawing board step by step.

"Okay, let's begin."

Mr. Cao nodded and looked at the two people in the field with interest.

Sakai Tsunamasa immediately picked up the brush. The lines were very standard, medium-spaced, and overall smooth.

Judging from the standards of this age, it’s hard to fault.

After all, they are the children of Professor Sakai. They grew up under the guidance of this master artist. Although they are not yet adults, it is strange that they are not good at painting.

What really made Mr. Cao Xuan secretly approve was Sakai Katsuko on the other side.

As soon as this girl came to the drawing board, she moved her wrist and took out a tissue from her pocket to wipe her hands carefully.

Even though the timer had started, she did not disrupt her rhythm.

After carefully spending more than ten seconds to ensure that his fingers were absolutely dry and clean, he picked up the brush.

In the process of painting, in addition to the flexibility of the wrist, dryness of the fingers is also a factor that many reckless painters ignore.

Keep your fingers dry and clean to prevent dust on your fingers or unnoticed stains from smearing the white screen.

Secondly, sweat on the hands will also affect the stability of holding the pen to a certain extent, which may cause unnecessary rotation of the pen tip when holding the pen with force.

This is a small detail, but it’s not a big deal if you don’t wipe it.

If you give a real artist a charcoal stick, he can still draw amazing works.

A waste without talent and hard work will still be a waste even if given to a top art studio.

But in such an important occasion where masters are watching, one can not forget such small details as wiping hands.

"Very general-like."

Mr. Cao nodded with satisfaction.

The rhetoric of "once in a century" is just a rhetoric pursued by the media. In his eyes, those awards for children's paintings are no different than a martial arts master watching children play in mud.

But this mature and confident mentality is what really makes Mr. Cao happy.

Talent or something?

Oh, among the painters he sees every day, who is not talented and gifted?

This is really nothing, the painter Zhongyong has been hurt too much in this industry.

When Mr. Cao was in his teens or 20s, there were many talented painters as famous as him in the Eastern Xia calligraphy and painting circles, but now he is the only one who has truly reached this point.

Even the names of most other people have long been forgotten by the painting circle.

Talent and hard work are just the bottom line for becoming a successful painter.

Things like mentality, opportunities, noble people, patience, and the environment are all indispensable.

Critics of calligraphy and painting in the art world are very vicious. Before your work is recognized by the market, there will definitely be people who will criticize you and slander you.

No matter how good your paintings are, people don’t have to like them. In history, there are many regrettable young painters who should have achieved something but were directly scolded, and some even jumped from buildings and hanged themselves.

In the little old man's opinion, it is really rare for a teenage girl to have such a strong mentality.

Gu Weijing secretly compared himself with the Sakai siblings who were painting.

His wrists are swollen when he draws sketches or hard-pen lines this week.

Judging from his ever-increasing vision after being trained by Menzel, I feel a little underestimated. To Sakai Tsunamasa.

Sakai Tsunamasa does have the capital to pretend to be a master.

Based on the standards of the system panel, the opponent is probably at level v3, with a proficiency level of between 300 and 500.

There is no way to accurately estimate painting.

He judged that the opponent's sketching foundation should not be as good as his own now, but it was much better than his before getting the panel.

As for Sakai Katsuko, it’s a bit scary.

The smoothness of the pen, the flexibility of the wrist, the lineThe precision of the lines makes him look like a very professional old painter.

If you only look at the works on the wrist and paper.

Gu Weijing could not imagine that the other party was an underage girl like himself.

"This sketching technique may have reached v4."

Gu Weijing was a little impressed. The improvement in his painting in the past week went beyond the previous year's hard work.

He is still more than a hundred points behind v4 in proficiency and experience points, and he does not have the help of a teacher as powerful as the system panel.

“We’ll be here in five minutes.”

The Myanmar official who was keeping time signaled.

No matter how strong Sakai Katsuko is, compared with painters like Lin Tao, Cao Lao's disciple, who can truly be called a master artist, the gap is still very obvious.

This time no one stopped painting in advance, and it was not until the last second that time passed that the two of them put down their pens at the same time.

Everyone gathered in front of the drawing board.

Master Lin Tao’s qualification criteria are very clear. If you can draw the outline of the main structure of the Shwedagon Pagoda with a pen within five minutes without any obvious deformation, you will basically pass the test.

Judging from this standard, both people are undoubtedly qualified, and both are more than qualified. Sakai Tsunamasa also drew the superstructure of a sub-tower.

As for Sakai Katsuko, although it took her nearly twice as long as Lin Tao, her painting is already very close to Lin Tao's finished painting.

On her paper, there is a big tower and three small towers that have already completed the outline drawing and positioning. What is missing is the most labor-intensive sunlight shadow.

In the work that Lin Tao has just shown to the public, in addition to the three towers, there is also a projection of the tower on the ground laid out with fine gray-tone cross pens.

This is where Kungfu and brushstrokes are most tested, and Sakai Katsuko has no time to paint.

"The master is the master, much better than me."

Sakai Katsuko bowed to Lin Tao in admiration.

"I am far behind you at your age. You are indeed amazing. You deserve to be the number one among the younger generation. Tsunamasa is not bad either. Professor Sakai, your good luck is really enviable. ."

Lin Tao stared at the painting taken off the drawing board, and turned to look at Kazunari Sakai aside, with genuine envy in his tone.

At his age, his achievements are almost finalized, and what he likes most are young people with unlimited possibilities.

"The painting is really good and deserves more applause than an old guy like me. Every time I see such a talented young painter, it makes me feel really old."

< p>Lin Tao took the lead in clapping his hands, and there was another burst of applause from all around.

In the crowd, Kazunari Sakai patted his belly happily, and the fat on his belly was shaking. Amid the congratulations of the painters around him, he looked like a fat man weighing two hundred pounds.

At this time, almost everyone was looking at the next game.But I heard Sakai Shengzi, who had just bowed to Lin Tao, turned to look at Gu Weijing.

"Mr. Gu, come on, I hope you can defeat me."

There was a faint fighting spirit in her voice, like a warrior waiting for a duel. Please remember to collect it, the latest and fastest website is free to read without anti-theft

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