Color, color, color.
The extremely repetitive and boring work made Tsunamasa Sakai, who had an out-of-touch personality, soon feel that his wrists were sore and his arms were weak, and he could no longer draw.
"What a painter, what a craftsman, that sounds nice. Look at those old guys, don't they become painters and masters themselves, and leave the hardest and most tiring work to me?"
Sakai Tsunamasa muttered secretly.
He turned his head and looked at the group of guys sitting in the shade of the trees in the distance, bored and playing poker on their mobile phones, with a little jealousy.
Not everyone can stick to boring work all the time.
There are many juniors or students in this project who are close to the invited painters, such as the Sakai siblings and Gu Weijing, or graduates like Tanaka who came to intern at Tama Academy of Art. .
There are about thirty or forty such "young painters" in total.
They do not have a fixed task arrangement. Wherever coloring is required, the staff will assign a small sign with a number on it to work on the corresponding task.
After finishing your first job, if you don’t want to receive it anymore, or if you are tired of working, you can just find a place to stay by yourself.
You can do whatever you want, as long as it doesn't affect other people's painting, no one will care about you at all.
That is what Mr. Cao said: "Get away."
The project has only been carried out for the second day, and many students feel tired.
To put it bluntly, they are originally gold-plated.
Painting is the same as football.
Not all students in football schools want to be Messi. Some people just want to be a physical education teacher with an iron job.
The art dog industry is an industry with a lower success rate than football.
Those guys lying down under the shade of trees have long since accepted themselves, and they probably have no hope of becoming famous or starting a family.
These people are either for the students of the Academy of Fine Arts who want to mix with the graduates.
Otherwise, in order to improve the taste and artistic accomplishment of the family, parents who are not short of money are waving a lot of money and forcing them to pay anonymous bills in the studios of some masters.
They have a clear positioning of themselves.
If a minor can get into a good art academy with some qualifications, he will be able to afford his parents' money.
Put a project in collaboration with Mr. Cao on your graduate resume, and then you can find a European art museum, private museum, etc. and start to enjoy your leisure time with an annual salary of 50,000 to 80,000 US dollars. Fish paddling.
Anyway, they are not planning to go very far on the road of being a painter. They are playing cards and using TikTok with the staff, even if they get the looks of a few old painters, they are still a little shameless and happy. It's over.
But to be fair, in the art world, most people who have a clear understanding of themselves and understand early on that they have no talent or that they cannot endure the hardships of hard work are doing well.
What I fear the most is the kind of person who clearly can’t do anything but still looks down on this or that.
I don’t think I am the reincarnation of Van Gogh, a painting saint in the world.
Such a person thinks that all the art critics who criticize him are ignorant, and will cynically classify his failures as the type of jealousy and suppression by his peers.
The result is torture for yourself and your family.
Sakai Tsunamasa thinks he still has a future, but this kind of job is really boring.
He looked at the art dogs lying happily in the shade of the trees, and suddenly felt that his arms were so sore that he could not lift his hands.
"Tsunamasa"
Just when Tsunamasa Sakai was fighting between heaven and man, the chubby Uncle Sakai rolled over from nowhere.
Hearing this voice, Tsunamasa Sakai suddenly became alert, straightened his back, and with a flick of his wrist, he almost dropped the entire plate of paint to the ground.
His father Kazunari Sakai is not an uncle with a typical Japanese character.
He never wields a stick and scolds harshly, nor does he harshly reprimand boys to have character and perseverance.
It’s just that every time Sakai Tsunamasa did something wrong, Sakai Kazunari would look at Sakai Katsuko on the side, and then turn his eyes back to his son, with a very helpless tone. Sigh.
"Alas"
That look is like looking at a failure that should have been shot against the wall long ago.
This look left an indelible hurt in the young Tsuna Chang's heart.
Sometimes it’s really not that Tsunamasa Sakai doesn’t work hard enough, but that his sister is just too good.
Because they are siblings, no one knows the pain of being shrouded in the halo of genius better than Tsunamasa Sakai.
Just like the previous pen drawings, if it weren’t for his sister who was drawing with him, then his drawings would have been amazing enough.
But in comparison with Katsuko Sakai, Lin Tao's words became "not bad".
Uncle Sakai cast his gaze on his son and looked at him carefully.
"Here, here and here"
Sakai Tsunamasa was glad that he had done a lot of work in the morning, and quickly pointed to the monks' prayer flags that he had finished coloring. Father looks.
"Well, it's not bad."
Finding that his son was not lazy, Uncle Sakai made a somewhat satisfied nasal sound.
He turned his gaze elsewhere and casually inspected the other works on mural No. 9.
"Hey, these are all painted by you. You never rested all morning."
When Uncle Sakai set his sight on the other side of the mural, he suddenly said "Hey" A sound.
Gu Weijing nodded.
"Great, very hardworking. You can see from the hook that you have always been serious. But whyWhy should this place be vacant?"
Uncle Sakai looked at an unpainted lotus, and it was obvious that Gu Weijing avoided it.
"Because I didn't understand the manuscript here. Colorful paint formula. ”
Gu Weijing looked through the manuscript in his hand.
He regarded this kind of coloring as an opportunity to learn from experienced painters.
The manuscript in his hand has been carefully marked on how each color area should be processed, what proportion of colors should be used, and what kind of brushwork should be used.
It seems simple, but Gu Wei. Every time before I start writing, I will think about how I should handle it if I draw it myself, and then compare it with the original drawing.
If it is wrong, I will correct it and if it is right, I will encourage you.
p>He took out the manuscript at hand
“The color scheme written here is, stamen, dyeing technique, off-white 6, 3. ”
Learning to paint murals from a master is the same as learning to cook Lanzhou Ramen from a master chef in a restaurant. There are also corresponding formulas.
But the recipe for Lanzhou Ramen’s side dishes is exactly the same. White, three red, four green and five yellow refer to coriander, radish, and cinnamon
The formula for painting murals refers to pigments, and there are many complex types. Generally speaking, they can be summarized as one red, two light green, Three lotus purple, four fragrant tea, five orchids, six meters white, seven.
The mark on the manuscript in Gu Weijing's hand is the 6 in the middle, which refers to the off-white color, and the number 3 behind it refers to is the depth of the color.
There are up to four numbers.
If it is not marked or the number 1 is marked, it means that the normal color should be used. If it is 3, it means. The third level of light white is slightly lighter than the normal color.
The stamens in Chinese paintings are sometimes dotted with gold powder. If gold powder is not used, it will not be too transparent in order to highlight the contrast. color.
“If it were me, I would use a darker color. I don’t understand why I would use paint No. 3, which is such a light color. ”
“Is that so? ”
Uncle Sakai touched his chin. Please remember to bookmark the latest and fastest website for free reading without anti-theft