While Gu Weijing was drawing characters on paper.
Kosatsu Taro is also preparing a character sketch, and the atmosphere is much more romantic, at least that's what he thinks in his heart.
Today is the Sakai family’s family dinner day.
Komatsu-san, who claims to be the son-in-law of the Sakai family, has already reserved a seat in the restaurant early.
The famous seafood restaurant kokotxa in Yangon's ahoe wealthy district has traditional and absolutely authentic Spanish flavor, which perfectly meets the requirements of pleasing the future mother-in-law.
Kokotxa Restaurant is a high-end restaurant with a history of 300 years. It is headquartered in the old gastronomic city of San Sebastian in Spain. It has been selected as Michelin three stars and one of the world's top 50 for many consecutive years. Restaurant.
However, this Asian branch opened in a wealthy area of Yangon not long ago, and currently it only has one Michelin star for tires.
But in Yangon, a meal for five people costs nearly US$800 per person. This is a figure that would make the hearts of most people in this country stop.
Everything is perfect.
The environment of the restaurant is great, the music is beautiful, the white wine is very mellow, the fruity peach sponge cake is very sweet, and the venison is very tender.
It may be a little regrettable that Kenta Komatsu didn’t like the taste of olive oil and garlic in the red shrimp with beetroot rice and the thick gazpacho as an appetizer, but his mother-in-law, Mrs. Sakai, was quite happy with it. of.
In general,
Kenta Komatsu was extremely satisfied with this meal.
He is a person who pursues perfection. He even carefully selected the car he rented from the car rental agency after getting off the plane. RCS65, the Mercedes-Benz S-Class specially tuned by AG Racing Factory, is not as ostentatious as Ferrari and Rolls-Royce, but it is noble enough, muscular and not greasy, showing its image of a young, mature and reliable good man.
At any age, it will be a plus in the eyes of girls of any personality.
The only thing that is not perfect is.
Sakai Katsuko seemed a little absent-minded while eating.
Komatsu Taro changed several topics at the dinner table, ranging from diving in the Maldives to Swarovski’s new ruby tiara, and even said a few words about F1, the national sport of Japan and Spain.
From travel, jewelry, racing
Komatsu tried his best to express his witty remarks.
Mrs. Sakai listened with great interest, and she talked and laughed. Tsunamasa Sakai was also fascinated by it. Even Professor Sakai, who was generally not interested in these topics, expressed some opinions of his own.
But only Katsuko Sakai acted very coldly.
Except for occasionally showing a polite smile to the waitress and the chef who came to thank the chef when serving the food, the whole person remained silent. They are all outside the entire restaurant.
She is like an outsider.
“Shengzi, just stay in your own world.There is no way to draw good works. If you find that your works are too cold, you should experience life more actively. ”
The chubby Professor Kazunari Sakai swallowed the last piece of venison that the red-bearded Spanish chef asked for as a side dish into his mouth with some lingering interest.
Perhaps it was because he was watching Komatsu-san. It's really pitiful for a man to fight against the air for a long time. Or maybe the wife viciously kicked her husband with high heels under the table and finally broke through the fat defense on his calves.
In short, Professor Sakai used his fingers. Jie knocked on the table, reminding her daughter that she had been neglecting this lunch guest for a long time.
"Oh, okay. ”
Sakai Katsuko answered, still staring at the thing in her hand.
It was a folder with a beautiful cover, and various kinds of things were pasted in the folder. Printed photos and illustrations of oil paintings.
That is the collection of works of Katsuko Sakai.
She is also at the age of applying for college.
Sekai. There are many people in the art field, but there are very few people who can be admitted to art academies, especially well-known art academies.
In addition to cultural courses and some professional examinations, if you want to apply for the most famous art academies in the world. In addition, every student who wants to apply must prepare a portfolio that can impress the professor.
However, this is a requirement for ordinary students.
It is best to win. The collection of works, based on the awards that Sakai Katsuko has won among young painters since she was a child, and the reputation of Kazunari Sakai in the art world.
Even without a collection of works, it basically belongs to the world. The prestigious schools let her choose.
Professor Kazunari Sakai understood.
The reason why Katsuko was troubled recently when sorting out her portfolio had nothing to do with applying to the school. Wrestling with herself.
She is not satisfied with her work.
From Sakai Kazunari's perspective, her daughter has entered a bottleneck period in painting.
Her proficiency in painting skills is almost unique among young people. Perhaps it is unprecedented and unprecedented, but it is at least much better than her at this age.
He can do it. He is proud to say that in many aspects, his daughter Sakai Katsuko has reached the level of a professional painter.
But Sakai Katsuko is still a little girl after all.
In addition to skills. , the mood of the work is too cold.
No, it is not cold, but pale.
In the field of art, coldness is also an infectious force. p>A painter who is really good at expressing this kind of emotion can freeze the audience's heart with cold brushwork, but Sakai Katsuko is not this cold, but because he has been immersed in the world of painting since childhood and lacks experience, it seems hollow.
She pays too much attention to painting and loses touch with life, which makes her painting look pale.
In this regard, Sakai Katsuko is not as good as life experience.Richer Kenta Komatsu. < /p>
Mrs. Sakai lightly scraped the glass with her fingertips, frowned and made a suggestion.
"Just let Tsunamasa go."
Sakai Katsuko still lowered his head.
"Katsuko" Mrs. Sakai's tone became more severe.
Omatsu Taro was not too angry.
Sakai Katsuko's character is exactly what his father likes. As long as he is not distracted by other men like Gu Weijing, he will not be too jealous.
His father Komatsu Kenta believes that women are men’s medals.
In this era, girls who can immerse themselves wholeheartedly in the art world bring great honor to their families.
Neither vines nor branches are what an artist’s daughter-in-law should have.
Since Katsuko likes art, Komatsu also has other tricks up his sleeve.
Artistic girls have an artistic girl’s way of opening up.
He left the restaurant in the name of going to the bathroom, opened the trunk of the car, and took out roses and a sketch from the trunk.
This is a sketch he drew of Katsuko Sakai.
In the sketch, Sakai Katsuko is wearing the traditional dress he wore when they first met in Yuan Day. She has a graceful figure, sexy and pure.
Although Taro Komatsu is already a well-known young painter, sketching is not his strong point.
His painting style is influenced by his father, who likes to use strong colors to express emotions, especially the use of large blocks of mystical pigments in oil paintings.
Colorful color blocks always impress the audience more than cold lines.
It was with this hand that he painted Sunrise Osaka, which won the grand prize in the amateur category at the Yokohama Art Triennale.
There must be a reason why he attaches great importance to color but despises line of sight.
Precision is the most important thing in sketching. It is difficult to find a new way. The only way is to practice more.
de Oil Painting is Austria’s most important art magazine.
Oil paintings are to painters what the Billboard charts are to pop singers. It is a benchmark for commenting on young artists, covering multiple sections such as the art market, opinions, styles, and buyer's guides.
It will rate a painter with stars from the perspective of collection of works.
The minimum is one star, which is worth waiting for.
The highest one is Seven Stars, a masterpiece handed down from generation to generation.
The last East Asian painter under the age of 30 to be awarded four or more stars was Mr. Cao’s youngest apprentice, Tang Ning, who received four and a half stars.
The last one to receive a seven-star investment rating was in 1967 when Andy Warhol was shot and critically ill. Just earn it.
After the turn of the millennium, Andy Warhol’s works have repeatedly set auction house records of US$100 million, which undoubtedly proves the magazine’s vision.
When Taro Komatsu won the award at the art exhibition, the chief writer of this magazine once commented venomously that his Sunrise Osaka was too opportunistic.
Although he has a certain appeal, he is just a lunatic who randomly talks incomprehensible words.
In the buyer's guide, Taro Komatsu was only given a one-star rating worth waiting for.
But Kosatsu Taro doesn’t care at all.
The people who appear in such well-known art magazines are generally young professors from various art academies and Mesozoic painters in their thirties and above, and the general evaluation will not be higher than two stars. Buy with caution, and you can get Young oil painters recommended by Samsung who have certain appreciation potential can basically sell their oil paintings for more than 300,000 US dollars.
At his age, being able to appear in such a magazine, even if he is scolded, still reflects the fact that his father is a great painter.
When choosing sketches that he is not very good at, Xiaosong also has his own little thoughts in it.
He felt that oil painting was not as ambiguous as sketching, especially when he used a pen to outline the curves of Sakai Katsuko's figure in his mind, Komatsu-san could almost feel the almost substantial touch.
While painting,
he played the scene of Jack sketching the body of Silk in Titanic over and over again in his mind, which gave him a strong sense of immersion.
If Celine Dion sings "My Heart Will Go On" next to him, he will get excited.
Maybe some girls are not interested in jewelry and jewelry, but they are willing to spend time drawing a picture for you. This kind of thinking is very romantic.
Many poor boys from the Academy of Fine Arts are the cute and beautiful schoolgirls that they managed to get through this trick.
Sakai Katsuko is not a simple and soft girl without knowledge, and Xiaosong herself is not a poor Yangon native like Gu Weijing.
He is rich and talented, and he is willing to spend time with girls.
If you just scan the jealous eyes of the beautiful female guests in the hotel and look at Sakai Katsuko, you will find that these people are sincere and long for a boyfriend like Komatsu.
They just wished they could swallow Sakai Katsuko in one go and replace them with themselves.
Even so, when Taro Komatsu returned with the sketch and roses, the most beautiful waitress secretly wrote the phone number on a tissue with lipstick and handed it to Komatsu.
She hinted that she didn’t care if the other person had a girlfriend. If the handsome guy was willing to paint such a picture for her, she would do anything.
“Humph, one of my paintings.”
With the potential he has shown and the connections shown by Komatsu Gallery, most art critics are very optimistic about his work. The investment prospects of the work.
A signed painting by Komatsu can easily sell for more than 1,000 US dollars, and there will be even more in the future.With so much room for improvement, I don’t know who will make more money when dating such a beautiful girl.
He doesn't mind playing a dangerous emotional game with them when he has free time, but not now.
It is better to concentrate on keeping the beautiful butterfly Sakai Katsuko in her own bottle.
"Katsuko, this is the gift I am going to give you." Komatsu Taro said.
He handed the sketch and the rose to Katsuko Sakai.
"The painting is really good and thoughtful. Issei, you really weren't so romantic back then."
Mrs. Sakai was very moved.
Many artists are immersed in their own world and don’t want to come out. Someone like Taro is willing to put in effort to please his daughter, has a good artistic future, and can be with Katsuko. Male companions who make each other successful.
It is definitely much better than other messy people.
"Thank you."
Sakai Katsuko took the painting and her eyes fell on the sketch.
She was silent for a few seconds and seemed a little moved.
Just when Sakai Tsunamasa thought that his elder sister was really impressed by the other party.
Sakai Katsuko suddenly handed the painting to her father.
"What can you do for me?"
Professor Sakai was a little confused.
“I feel that Komatsu-senpai has drawn at least three more vertebrae, and the muscles on the arms are also distorted. The length of the knuckles is not coordinated, especially the index finger. Compared with other knuckles, it is about 30% longer in proportion. One centimeter."
Sakai Katsuko smiled apologetically at Komatsu, but there was still a clear sense of detachment in her tone that she only wanted to discuss art.
Osomatsu Taro looked embarrassed, and Mrs. Sakai shook her head helplessly.
The good atmosphere at the dinner table suddenly changed from charming and ambiguous to the nature of an academic seminar.
“It’s great that a painter of this age can draw like this. Katsuko, you know that looking at paintings is different from painting. It’s easy to find flaws when looking at paintings, but it’s hard to be perfect when painting. Unless you have a complete understanding of muscles, no artist of this age can fully draw them, not even Komatsu, not you, not even me now."
Professor Sakai stroked his forehead helplessly.
“In fact, many times we just need to pursue the overall harmonious beauty. It is as accurate as a photo in a completely physiological sense. I think there are no more than five painters in history who have understood this step about the human body. Strictly speaking, there are various problems in those famous paintings passed down from generation to generation, and even Master Ingres made many similar mistakes."
Professor Sakai looked at his daughter who was still frowning in thought. He held back the second half of the sentence.
He believes that people who are completely immersed in the world of painting will find it difficult to break through after reaching a certain point.
Without life experience, there is no artistic life.
Van Gogh’s suffering in life, to a certain extent, made his art possible.
Although thisIt's cruel, but it's true.
It is useless to talk about this kind of thing. He brought his children to Yangon this time because he actually wanted Sakai Katsuko to have more contact with the outside world.
He is waiting,
Sakai Katsuko needs an opportunity to have his own epiphany. Please remember to collect it, the latest and fastest website is free to read without anti-theft