Gu Weijing took the brush and made several gestures on the canvas.
Every time his brush was about to touch the paper, he took it back again.
The paint is still not right.
This was his first time copying a work, and mistakes were inevitable, but he still didn’t want to just use inaccurate paint colors.
After thinking over and over again,
Gu Weijing came up with an idea that was not very clever.
He took out a clean flat palette again and picked out a dozen paints.
On the palette, the extruded paint is arranged into two triangles of three primary colors.
In primary school art class, we learned that red, yellow, and blue make up the three primary colors.
By mixing the three primary colors with each other in different proportions, thousands of different color levels can be produced. The secret of color change lies in it.
In professional oil painting creation, the three primary colors are subdivided into many different hues.
Gu Weijing used ultramarine blue as the apex on the left side of the palette and cadmium yellow and cadmium red as the base to form a warm-toned three primary colors.
In the middle is a small triangle composed of three hues and four different mixed colors.
On the right side, the cooler colors of deep red and lemon yellow are used as the top, and phthalocyanine blue is used as the bottom, forming a cold-hue three-primary color triangle and a corresponding mixed-color triangle.
The two triangles, one upright and one upside down, form a rhombus shape on the palette.
Theoretically, based on this palette, Gu Weijing can quickly mix any color he wants with a brush in a few seconds.
After making these basic preparations,
Gu Weijing finally found some toilet paper and took the lead in blocking his nose.
Then, he moved his easel just one step away from the old church in the thunderstorm, and activated his calligraphy and painting appraisal technique.
An invisible pen appeared in my mind again and began to quickly outline the graphics.
Thunderstorm, church, candlelight.
The difference is that before Gu Weijing used his skills, he had already made enough mental preparations.
His eyes were no longer attracted by the artistic conception of the entire painting on the light screen in his mind. He ignored all the small brushstrokes expressing the details on the painting. He no longer even cared about the church itself, and concentrated on it calmly. Try to figure out the layout of the thunderstorm weather background that occupies the largest area on the oil painting.
“It’s not pure black, it has a bit of a purple feel. It’s wrong to add white to increase the brightness. This color palette actually feels more like rose red mixed with a little Prussian blue. Well, it looks like it needs to be added. A little bit of gray, is it black? Would it be better to use lemon yellow? It might still be a bit risky."
Suddenly, a lot of information flowed into Gu Weijing's mind. .
This painting of an old church on a thunderstorm day with exquisite colors and mixed brushwork is like a ball of yarn woven with layers of paint.
TuanchengIt is impossible to find a clue when it is a lump, but the art of calligraphy and painting appraisal can dismantle it and turn it into independent strokes.
Based on Gu Weijing’s current semi-professional oil painting level, it is much easier to understand.
He also has a great advantage when dealing with restoring these colors.
Gu Weijing really went to the Good Luck Orphanage.
The old church and the surrounding scenery are like corners forgotten by modernization, and they still maintain the same scenery as they did a hundred years ago.
Gu Weijing also witnessed the scene that the female painter Carroll once saw.
Life experience is the best teacher for a painter, and Gu Weijing can therefore better handle and restore the painter's original light and shadow colors.
His brushstrokes fly on the palette.
At the moment when the identification spell ended, a small patch of dark but not eerie gray-purple finally appeared in the corner of the palette.
The overflowing luster is just like the sky after lightning flashes across the sky.
I don’t know if he was too immersed in it, or the effect of the calligraphy and painting appraisal technique has not completely ended.
The moment Gu Weijing arranged the colors, he even heard the faint sound of thunder in his mind.
It seems like a dull and damp drumbeat.
"It will be this color."
Gu Weijing resisted the sting and dizziness in his mind, and he quickly painted the background color of the thunderstorm Restore on drawing paper.
As his brush fell.
A gray-purple light group appears at the top of the painting, and the dark clouds are dense, like a thunderstorm sealed on the canvas.
The current copy of the painting "The Old Church in the Thunderstorm" has been completed
More than two hours later, when Gu Weijing moved the easel and placed it in the corridor of Gu's calligraphy and painting shop to dry in the shade . The system in his mind also sent timely reminders for him to complete the task.
The similarity of this copying is 237, and you have obtained a primary treasure box
"Just over 20%."
Gu Weijing If he was not disappointed, he would be satisfied if he could reach the passing mark for completing the primary requirements of the task.
To judge the degree of similarity of copied works, the standard is definitely not rigid copying.
There are no two identical oil paintings in the world, and the brushwork of Impressionist painters is ever-changing. Some works are even composed of hundreds of thousands of color dots.
If you find two works that are exactly the same even down to the smallest details, there is no doubt that they must be computer-generated paintings.
This is not because Fa Ge wants to draw dollars.
No normal painter would pursue the tenth of a millimeter accuracy of a purely physical brush.
If it is based on this standard, it does not need to be said that it is a copy. If you ask the original artist to draw the same painting on site, it is estimated that the similarity will not reach more than 90%.
But if it is large in the ordinary senseIt's not bad at all, but this standard is too low for professional painters.
What is a basic image?
Nowadays, there are many oil painting villages all over the world.
These villages make a living by copying oil paintings. Many employees have never even gone to school. They work three shifts a day, naked and crowded in a cramped and stuffy studio, and earn a meager salary. Copy famous paintings such as Van Gogh's Self-Portrait.
The work process is like factory assembly line management. Some people are responsible for drawing eyebrows. After drawing the eyebrows, they pass the drawing to the next person to draw the eyes, and then pass it to the next person to draw the nose.
One village alone can draw hundreds of thousands of self-portraits a year, accounting for more than 95% of the Van Gogh replicas circulating online worldwide.
These paintings look similar to ordinary people.
But if professional painters only copy works according to this standard, then the aesthetic education they have received will be meaningless.
The so-called copying is a kind of pursuit across time and space, a feeling that is as real as a dream.
What you are pursuing should be an approximation of temperament.
Not like, but true.
When does a painter feel that his predecessors from a hundred years ago have stepped out of the oil painting frame, stood behind you, held your hand, and painted with you.
When your thoughts, your mood, and your heartbeat become one with the other person.
Then your copying skills will be perfected.
Gu Weijing is still far from this standard.
He felt that this was his first time copying, and he could get a similarity rating of more than 20% this time, thanks to the good basic shape of the sketch.
Relying on the blessing of calligraphy and painting appraisal skills, he figured out some formulas for matching purple and gray backgrounds like Thunderstorm Day.
As for the details of the building, the color changes here are more complicated and more precise than the large-area purple-gray color tones on thunderstorm days.
Not to mention how much progress can be made by using the calligraphy and painting identification technique again.
The dull pain in Gu Wei's temples told him that if he appreciated this second-level master's art three times a day, he would probably have to be taken to the hospital by ambulance again.
It always happened like this. Gu Weijing was really afraid that he would not be able to hold on mentally. If the master didn’t copy it, he would become a madman first.
Gu Weijing clicked to receive the primary treasure box.
As the treasure chest opens, a knowledge card pops out.
Item Royal Court Dance Step Chart Louis XV
Quality Knowledge Card
Special Effects After obtaining the knowledge card, you will clearly understand its corresponding content.
No equipment required
Content Introduction Palace life was an important part of oil painting until the twentieth century. Court dances are known for their graceful postures and gorgeous costumes, and have long been the focus of Rococo style oil paintings. Without a good dance foundation, you cannot become a good court painterHome.
Remarks: After my death, I will not be a good emperor even if the floods are raging, but I will be a professional in dancing.
To draw the human body, you need to learn anatomy. The artist who draws the wrestler has actually fallen. When painting professional oil paintings, it is really a completely different feeling whether you have a professional foundation or not.
Especially when painting a classical dance, the rotation of the ankle muscles and the communication between the characters’ eyes are difficult to recreate without actually dancing.
"Louis XV's guide to the ball is a professional counterpart in a sense."
Gu Weijing had to complain about a systematic black humor.
The Emperor Louis XV was a man of many talents and was famous for his love of gorgeous balls and beautiful mistresses. He opened countless balls and salons throughout his life, and wiped out the entire Bourbon dynasty.
Even though it was his heirs Louis XVI and Queen Mary who were guillotined, most historians believe that the Bourbon dynasty declined under Louis XV, which can be called the French version of Song Huizong.
However, this emperor who was not doing his job was a prodigal, so Gu Weijing happily accepted this knowledge card.
Painters who can paint professional themes have always It is very popular. This kind of knowledge is like Professor Lin Tao's notebook of casually recording painting materials. The more the merrier.
You may never use it, but when you need to use it, there is a qualitative difference between having it or not.
On the morning of the second day of Gu’s Book Gallery, three unexpected guests came.
"Hey, Professor Sakai, why are you here?"
Gu Tongxiang, who was looking at the store behind the counter, blinked.
When he put on his reading glasses and confirmed that the object that appeared to be a big meat ball in his home gallery was a person, he immediately walked over in surprise.
He took Uncle Sakai's fat hand and said, "Rare guest, rare guest, welcome."
An artist of this magnitude appears in their small gallery, but like a giant panda of preciousness.
Even though Uncle Sakai is as fat as a ball,
when he walks into a small gallery appearing in any corner of the world, he attracts more attention than handsome men and beautiful women.
To make an inappropriate metaphor, it is as popular as a talented poet in ancient times entering a brothel.
Whether it is a text message or a group photo, even a photo of the other person admiring the paintings in the store is a silent sign.
The tip notes Picasso wrote for coffee shops can be sold for hundreds of dollars.
The luckiest thing is a hotel in Brazil, which received a random spray painting on the wall by the artist Ligia Clark, the founder of Neo-Concreteism who lived there. This painting The painting is now worth at least $700,000.
Uncle Sakai did not answer. He stared at a painting on an easel in the gallery, looking like he was wandering.
"Well, this is actually your store."
Uncle Sakai seems to have finally seen enough paintings..
He turned his head and looked at Gu Tongxiang with a playful smile on his face, "So, the person who bought the painting at the painting and calligraphy auction yesterday was Gu Weijing."
Gu Tongxiang was stunned. ,
He knew that his grandson bought an oil painting for $2,500 at noon yesterday.
But they didn’t ask about the specific process of buying paintings.
This money was used by Gu Tongxiang to practice for his grandson. Whether he made a loss or a profit on the paintings he bought, he would leave it to his grandson to handle.
On the other hand, his eldest son had a strange look on his face when he came home, as if he was hesitant to speak, but in the end he said nothing.
“My father saw a good painting at the calligraphy and painting night market in Yangon, but it was bought by a young man who looked like a student.”
Professor Sakai’s side Tsunamasa Sakai who followed them explained in a low voice, "My father came here today because he wanted to see the painting again before leaving Yangon."
Tsunamasa Sakai's tone was very complicated. They followed the instructions of the translator. I asked the boss Wu who was doing the public bidding for the address of the gallery, but unexpectedly I found Gu's calligraphy and painting shop.
Sakai Katsuko did not speak.
All her energy was attracted by the two oil paintings hanging in the gallery that were drying.
An oil painting is a realistic car model painting. According to Sakai Katsuko, this painting belongs to the category with obvious advantages and disadvantages.
The space in the entire oil painting is well controlled, but the brushwork is not sophisticated and the use of colors is also very mediocre. It may be called good, but Sakai Katsuko has seen so many outstanding painters that it seems inadequate.
The second picture is very interesting.
This is a very rare Impressionist work with gloomy tones. It uses dark-toned pen and ink, and the overall background is condensed and undisturbed. Especially the background color of the entire painting is very imaginative.
"Do you see what's going on in this painting?"
Uncle Sakai noticed his daughter's gaze and asked softly.
“This is an Impressionist painting. It’s really strange why this dark black tone is used. This is completely inconsistent with the concept of Impressionism. It uses a classical painting method. , wouldn’t it be better to use overlay dyeing to enhance the whiteness?"
Sakai Tsunamasa looked at the oil painting and commented while rubbing his chin.
"Clouds."
Katsuko Sakai is obviously more to the point.
She has been staring at this painting and thinking deeply.
The foreground and subject of a painting often put more effort into the artist, but this oil painting is completely the opposite.
The shape of the church, the main body of the oil painting, is pretty good, but it is far from as brilliant as the thunderclouds in the sky.
That kind of cloud that seems to be flowing
How does it appear? Please remember to bookmark it. The latest and fastest website is free to read without anti-theft