Chapter 197 The first draft is completed

"What are you doing?"

Old man Wu was pacing at the door of the yard impatiently.

Fortunately, a cigar can be smoked for a long time, so he doesn't feel too bored, so he just treats it as smoking.

"Lao Gu probably wanted to give the credit for developing Castiglione's painting style to his grandson. This is really pitiful for parents in the world. Only grandfathers would do this. As for the reason Probably to use this opportunity to make Xiao Gu famous."

Old man Wu thought for a moment and thought he had grasped Gu Tongxiang's mental journey.

"Just say it directly, you are still acting like this in front of me."

He was a little funny, but also a little bitter.

The artists seem to be high-class and high-class, but if you look at them one by one with a magnifying glass, you will see that they are actually ordinary people.

Everyone lives a very real life.

This industry is full of shameless villains, but there are also true moral gentlemen.

It has not been uncommon since the Middle Ages for teachers to steal the inspiration and creativity of their apprentices and snatch the precious opportunity to become famous by painting paintings for noble lords and archbishops from their students.

A ruthless person.

Not only did he take away the opportunity from the disciple, he also treated him to death. He treated the student like a slave, pressing him hard to suck blood, and not giving him any chance to escape from the teacher's control.

On the other hand, you can also find masters in the industry who are willing to lie on the ground and let their juniors step on them to become famous.

If you meet the former as a teacher, I can only say that you are just lucky.

Meeting the latter is a blessing gained over several lifetimes.

And this willingness to give up the glory of the painting techniques and experience you have developed to the younger generations is equivalent to the professor writing a heavyweight paper himself, and the result is that your name will be on it.

Usually,

the only answer is that the professor is your biological father.

It is really not easy to do art here in Myanmar.

The elders have worked hard all their lives and left all the good things to the younger generations, hoping that future generations can use this shared wind to break out of this chaotic land.

"Lao Gu has also worked hard."

Old man Wu thought of this section and gradually became involved, and his nose started to feel sore.

It took about a few minutes.

He saw that Gu Weijing seemed to have finally finished giving pretentious instructions, and even pretended to hold a brush and drew two strokes on the unfinished peony picture.

“Tch, the acting is just like the real thing.”

When Old Man Wu saw this, he walked back.

He decided to rely on Lao Gu's hard work. No matter how bad Gu Weijing's painting was, he would not criticize it and go over to support it.

"Old Gu, if you are serious, you are really hoping for success."

Old man Wu is feeling moved by himself.

He sighed, “But Xiao Gu’s level canCan I accept this gift from you? Even if I learn to draw one stroke at a time at this age, I'm afraid the gap between my level and your level will be quite obvious. Even if you impose this limelight on your grandson, outsiders may not believe it. ”

Old man Wu lowered his head, pointed at the table in front of Gu Weijing, and said, “Look at this brush, look at this painting skill, I’ll be damned if I can reach even half of your level”

p>

He glanced at the peonies smeared with ink on the rice paper written by Gu Weijing, and almost threw out the cigar in his hand.

He saw that the tip of Gu Weijing's pen was light.< /p>

Add titanium white to the brush tip, apply rouge to the tip of the brush, and lift it with the side of the brush, and a red petal with white inside appears on the paper.

The large petals, the small petals, the flower heads and the receptacles are all staggered.

It is gorgeous and elegant, simple and noble.

It only takes a minute or two to see the flowers. After changing several brushes of different sizes, he highlighted the pale golden stamens and the thin yellow leaves.

A complete picture of peony appeared on the paper without any delay in his movements. , the painting is so vivid.

"Grandpa Wu, look, is it better?" "

Gu Weijing put down his pen and smiled politely at the old neighbor who was speechless.

Old man Wu was still confused next to him.

"How about it"

Gu Tongxiang also doesn’t care that Old Man Wu watches his grandson paint.

There are many empirical things in painting. There is no teacher who can break down the key points in detail and explain them to you from beginning to end.

What you can learn from others by just watching others draw is very limited.

This is a bit like watching a pilot flying a plane in a YouTube video, but he just pushes and pushes the control stick step by step. Turn on the switch on the panel.

It seems very simple, but you need to study it professionally according to the textbook.

Otherwise, even if you draw in front of you, you will not be able to draw. I don’t understand why I use the pen like this and why I draw the lines like this.

Moreover,

Old man Wu is not a professional painter either.

People looked at it this way, and it was almost hilarious to see the most essential method.

Old man Gu Tongxiang looked at Old Man Wu's dumbfounded look with great enjoyment.

He was so shocked by his grandson two days ago.

Now that Gu Weijing was shocked by others, he felt completely different as a grandfather.

It's so cool

Old man Wu still didn't speak.

At this time, when he looked at Gu Weijing, he didn't just feel that he didn't recognize this young man, he was simply confused. Look at the alien.

It's like a big living person, "bang".Suddenly, he turned into a monster next to you.

"It's outrageous, damn it, it's outrageous"

His eyes were as wide as copper bells, and he muttered a few words in a low voice.

Old man Wu’s worldview was impacted.

He ignored the habit of not passing the lungs when smoking a cigar, and took a fierce puff of cigarette, using the surge of nicotine concentration in his blood to calm his mood.

"Unbelievable."

Waiting until two long streams of smoke with the smell of burning plants came out of his nose, he said softly and slowly.

"Lao Gu, you are right. Why should you teach this kind of painting to others?"

Old man Wu shrugged, was silent for a few seconds and said, "That's okay. The food that will last for generations to come, just pretend that I didn’t mention the lecture.”

“Awesome, Lao Gu,”

"It's not that I'm awesome, it's that my grandson is promising."

"It's the same."

Old man Wu shook his head, "If my grandson has Xiao Gu's ability, I can compare with him." I'm happy even if I'm awesome."

Gu Tongxiang didn't deny it. He put his hands in his hands and smiled like a Maitreya Buddha, "Brother, please accept it now."

At this time, Old Man Wu no longer even wanted to argue with Gu Tongxiang.

If Lao Gu figured it out, to be honest, driven by vanity, he would be a little jealous.

But now it looks like the old man Wu who was created by Gu Weijing, his grandson, can't even be jealous, and only has real envy.

When people reach their age, their biggest wish is not to hope that their children and grandchildren will make a difference.

Who told people to be capable of giving birth to grandchildren?

Look at the grandson of the old Gu family, and then look at the children and grandchildren of my own family who spend all day scrolling through Douyin disks and writing bad words.

"This grandson is really up to date"

Old man Wu rubbed his chin hard with the back of his hand and said with great envy.

"Fortunately, brother, there is no need to praise him so much. Young people tend to be arrogant and complacent. I think there is still a lot of room for improvement for my grandson." Gu Tongxiang said, shaking his head.

Old man Wu licked his lips, not even bothering to look at the proud and proud Gu Tongxiang who was still looking disgusting as he pretended to be a strict teacher.

He walked to Gu Weijing's side without thinking about himself, with an extremely kind smile on his face.

/p>

Old man Wu who wanted to ask for paintings did not fully get what he wanted.

Gu Tongxiang believed that his grandson Gu Weijing had not yet officially sold paintings to others because he was too young after all.

Although the old man felt from the bottom of his heart,

his grandson’s painting skills were no longer inferior to his own in many aspects, but he should alsoIt would be best to simmer for another two years and try to think about it on a bigger stage.

He declined Old Man Wu’s request on the grounds that his grandson was busy with studies during the graduation season.

However,

Under the pressure of Old Man Wu who cried, made trouble, and hanged himself, his grandson Gu Weijing first imitated the bean flower sketch of the Immortal Calyx and Changchun. The painting was taken away by Old Man Wu.

Gu Tongxiang originally proposed that he paint a few paintings for Old Man Wu.

However, with Gu Weijing in front of him, especially at such a young age, in the eyes of Old Man Wu, he no longer thinks highly of Old Gu's level.

He is not stupid,

Which one has the most room for appreciation, Old Man Wu knows even if he thinks about it with his butt.

Gu Tongxiang should be like this in his life, and at Gu Weijing's age, it seems that his future is indeed unlimited.

After taking the bean flower picture, he walked around the yard several times without giving up.

The peony picture placed on the long table was half painted by Gu Tongxiang and half painted by Gu Weijing. The old man also smacked his lips and took the sheep away without politeness.

Old man Wu thinks too far.

He also wrote on the spot with a stroke of his pen at the end of the cut rice paper

"The beauty of painting is that the meaning is long-lasting. Those who have mastered it come first, and their grandchildren do not have to be inferior to their ancestors." On the twenty-third day of the peach month, the spring is warm and warm by the Yangon River. "Gu's son taught me to grow up"

This is what the big line of inscription goes like.

This is used to record the background story of the creation of the peonies in this painting, and the elegant and interesting story of Gu Weijing teaching his grandfather Gu Tongxiang to paint.

Old man Wu recorded everything that happened today in detail, and also secretly described a few words about how he had the insight to decide to collect this work.

He mentioned hundreds of words, occupying more space than the few peonies in the main body next to it.

In Chinese paintings, this line of characters is called "inscription and postscript", which is a document file specially used to record the background story of creation and the identity of the creator and collector of calligraphy and painting artworks.

Many of the famous calligraphy works of Su Shi and Mi Fu that modern people can see are from the characters they originally wrote at the end of Chinese painting silk or paper, and were finally copied individually by later calligraphers. imitation.

The Orchid Pavilion Preface memorized by middle school students also has the same meaning, and Qianlong, the stamp madman, mentioned this thing thousands of times in his life.

With these records.

Gu Weijing will really become famous in the future.

The thing in his hand is inherited in an orderly manner, and will be more valuable when sold in the future.

Old man Wu shamelessly asked Lao Gu to use his private seal with Gu Tongxiang's name on it to stamp this line.

"Xiao Gu, work hard and paint hard. When you become a great painter in the future, Grandpa Wu will rely on him to buy a big villa by the sea for retirement."

Old man Wu is half Just a joke, half expectedGu Weijing gave some advice.

Then he didn’t even want the portable lunch box he brought.

The old man and Gu Tongxiang made an appointment for the next time to play chess, so he carefully held the two paintings and walked home contentedly, ready to be framed.

It was already noon by the time Gu Weijing sent Old Man Wu out.

He had a few bowls of noodle soup in the morning, and now he was quite full, so he skipped lunch and went straight back to his painting room.

He adjusted his mood a little, and after he calmed down completely, he pulled out the blueprint of the Lucky Orphanage in the Sun that he had finished yesterday from the scroll.

Considering these two days,

the church renovation construction team must seize the time to do some circuit factory and pipeline installation, which may be noisy.

After Gu Weijing said goodbye to Sakai Katsuko last night, he put this base painting back in a painting bucket before going home.

He plans to take advantage of the few days of free time during the Farmers' Day holiday to completely complete this work first.

Gu Weijing stretched the canvas on the easel.

Before he started writing,

he looked at the prototype of the painting on the base map in front of him. Go through the next key points of using a pen from beginning to end.

The skill of sharpening a knife to chop firewood without missing a beat,

Gu Weijing simulated it in his mind extremely delicately.

He has actually gone through all the theoretical details of the new body painting thoroughly in his mind.

The next thing he has to do is to stew sketch, oil painting, and Chinese painting together according to this recipe, just like a chef cooking Xiaoxian.

If successful, the fragrance characteristics can penetrate each other, set off each other's flavors, make people feel refreshed, and integrate Eastern magnanimity into Western style.

It failed, just like the last picture of the Good Luck Orphanage in the sunshine, it turned into a dark dish that seemed to make people upset.

If you want to cook this pot of food well,

In addition to the knowledge card and the recipe, you also need to test the chef's skills.

The next part of painting is not like drawing a base map. It only needs to roughly express the meaning and spirit in the most concise way.

Every detail is meticulously crafted.

He needs to use the exquisite curves and light and shade effects of the sketch to make the objects in the picture have a relatively strong concave and convex three-dimensional sense.

In addition, the jumping and enthusiastic colors of the oil painting are used to perfect the highlights and shadows, enrich the visual focus, and use the principle of color perspective to make the picture real and have a sense of space.

Finally, the ancient and graceful meticulous techniques are used to make the picture far-reaching and full of divine meaning.

Three techniques and ideas are constantly interspersed, mixed with each other, and refined to the last detail.

"Draw the distant view first, then the close-up view, and finally the details of the color layer on the surface of the character."

Gu Weijing thought for a long time and finally felt that he was ready for everything.

He justPick up the brush and start mixing colors, drawing lines, and drawing, covering the base map with finer color details.

As soon as he got started,

Gu Weijing clearly felt the pressure.

He uses the pen very heavily, and as the tip of the pen turns, a large amount of information related to painting pours out of his mind at all times.

If the amount of information in his mind when he painted Chinese paintings in the past was 1, then the amount of information he needs to process now is 3.

Approximately three times the information density.

It is necessary to pay attention to the difference in contrast and saturation of the pigments in oil painting and Chinese painting. It is also necessary to bridge the difference between Chinese painting and sketching lines, and use the practice ideas of line drawing and sketching to outline the lines.

Even in the line drawing technique invented by Castiglione, the use of oil painting and sketching is not completely the same as the processing method of traditional oil painting. Depending on the picture, special fine-tuning is required. .

Gu Weijing was drawing, and fine beads of sweat seeped out from his forehead little by little.

He must concentrate on it so that he can control the brush in his hand to follow the path in his mind and draw it steadily without making any big mistakes.

"Stay steady, draw carefully, and take your time." He muttered in his mouth.

Pressure is pressure.

Different from painting flowers and plants, line drawing, which involves tracing and capturing the expressions of characters, is originally the most complicated part of the new body painting technique.

Such a difficult painting method,

It would be strange if he could do it easily.

Lang Shining’s own painting skills may not be considered the pinnacle, but they are compared with a handful of top masters in the world.

Even the relatively weak third-level professional Chinese painting techniques are enough to easily kill him instantly.

So the pressure to paint was completely within Gu Weijing’s expectation.

"This is a good thing." Gu Weijing comforted himself.

No matter how much pressure there is, it is always better than the weird feeling of separation.

Being able to feel pressure is an improvement in itself.

When Gu Weijing originally painted the first painting of the Lucky Orphanage in the Sun, he was tortured by a sense of separation from beginning to end.

I couldn’t calm down at all. Even if I wanted to concentrate on painting, it was a little difficult. I had to rely on my breath to hold on.

Compared with that time, He Zhi's situation now is just a little bit better.

Gu Weijing was already very content.

When he first started drawing, he occasionally thought about the second step of the chain of tasks on the system panel.

Later,

Gu Weijing had forgotten all these things and had no other focus than the drawing board and canvas in front of him.

He feels like he is painting now.

It’s like driving a big dump truck with a heavy steering wheel, rushing downhill towards the target at the bottom of the mountain..

And Gu Weijing was the driver who used all his strength and tried his best to fight against the steering wheel.

He must be careful and careful in order to control the car on the track it should be.

While painting, Gu Weijing also discovered something different.

When dealing with the parts related to the two techniques of Chinese painting and sketching, the pen tip will be heavy and sluggish. In many cases, Gu Weijing had to think for several seconds before he had the confidence to write.

If he were to deal with parts more related to oil painting, he would feel much less pressure, and his thoughts on using the pen and his wrist muscles would feel lighter and more flexible.

He soon understood that this was probably because his oil painting technique had just broken through to the second level of the profession, and his brush control ability was much higher than the previous two. Please remember to collect it, the latest and fastest website is free to read without anti-theft