no personality > All-around great painter > Chapter 230 Expulsion

Chapter 230 Expulsion

Gu Weijing grabbed the pencil that was still spinning on the table.

There are eight major art academies in Eastern Xia, and Japan has five major art academies in Eastern Xia.

These well-known art academies, whether they are joint art exams or independent exams, are very fond of using still life sketches to test students' pen skills.

Even in the past ten years, Musashino Art University, a prestigious school in Asia, has given exams for every entrance exam for the departments of oil painting, sculpture, industrial planning, and architectural design when it wants to test the painting skills of the candidates. Candidates need a few pencils and a piece of B3 drawing paper.

The teacher then placed several pots of daffodils and other complex still lifes on the table and asked the candidates to draw them within a limited time.

Whether students are eligible for admission will be judged based on the completion of their sketches.

This aspect proves the importance of sketching to modern art education.

On the other hand, it shows that the basic skills of sketching cannot fool anyone.

Everyone is the same, and every student is at the same level.

The expressiveness of good or bad, between the simple color blocks and the crisscrossing lines, can easily show the skill of an art student with his pen.

How about the line and modeling skills? See the article on the pen.

The moment the viewer sees the scale, deformation, form, color, or texture changes rendered by the artist's pencil on paper, they instantly realize that some paintings are outstanding and others are outstanding. The painting is mediocre.

For those who love art, sketches do not need a marking teacher to grade them.

Beauty and ugliness, paper has given the answer.

You can tell the difference between good and bad,

You can see it at a glance.

"My current lighting, positioning, and shaping seem to be more precise than before." Gu Weijing used the muscles between his fingers to carefully feel the new changes brought about by the improvement of his technique.

In general, oil paintings and sketches are painting methods that use proportional relationships and light and shadow contrast to express the real world.

As for the details, the emphasis of the two pens is still different.

Oil painting focuses more on the emotional expression between brushstrokes and colors.

Sketch has no paint, only lines and color blocks, and only the contrast between black and white and gray.

In the world of sketching, the sun is not orange-red, the sky is not blue, and the lake is not dark green. Everything is just subtle changes in light, shadow, and color.

To achieve this, the use of sketch pencils must be more precise than oil brushes, the positioning of the pen must be more perfect, and the shades of strokes must be more precise.

Gu Weijing looked up at the teacher on the podium and casually tried to draw a sketch of a character on the desk.

In fact, it cannot be called a sketch, it is just a basic sketch of the character's eyebrows.

But Gu Weijing captured several core characteristics of the characters.

Slightly messy and flying hair, a square face with well-developed masseter muscles and a sun-kissed faceThe classic pointed nose of the German race, coupled with a few lines of crow's feet diverging from an origin at the corners of the eyes and parallel to each other at the end.

Gu Weijing only spent a few minutes casually drawing a very simple line relationship, and the whole image of Professor Vatel foaming at the mouth on the podium was already in front of him.

Desk is not a good drawing board.

The tabletop, which is made of solid wood and sprayed with waterproof paint, is smooth and smooth, without the adhesion of pencil graphite.

Not only is the friction so low that the pen tip is as difficult to control as a roller skate, but it is also completely nonsense to use brush strokes to create a relationship between light and dark.

However,

Gu Weijing’s painting happened to be very similar.

His brushstrokes are as light as a martial arts master with light skills, walking lightly through the snow in winter, leaving shallow but clear enough brush marks on the table.

There is no feeling of ambiguity and sluggishness in the process.

“This is the level of professional second-level sketching. Among the group of professional painters, one can be considered a formal master, and one can be considered a master in a small place.”

< p>Gu Weijing looked at the portrait of Professor Vattle on the table, at Professor Vattle himself on the podium, and at the right side of the blackboard where the teacher casually drew "Theodore Roosevelt" as an example during class. "The classic sketch avatar.

Gu Weijing nodded with satisfaction and wiped away the graffiti on the table with the edge of his palm.

"Professor Wattle, now I am the best sketcher in this classroom." He smiled proudly in his heart.

In the few minutes that Gu Weijing studied and realized the improvement in his sketching techniques.

Professor Vatel on the podium has finished today's knowledge content.

As usual, the professor handed out the grid paper he printed to each student and asked them to practice using pen details as a class assignment.

When Gu Weijing got the grid sketch paper passed from the front row, he was not in a hurry to start writing.

He stared at the sketch paper in front of him for a few seconds, and a new idea came to his mind.

"Pa"

Gu Weijing lightly snapped his fingers.

At the same time.

The art classroom on the third floor of the teaching building on the east side of Dulwich College is Mrs. Cruz’s advanced class.

The advantage of small class teaching is that Mrs. Sakai did not set up a special course plan or syllabus. Anyway, there are only a few students in total.

She used this art classroom as a small studio, allowing students to complete their own portfolios.

Mrs. Sakai and her teaching assistant walked through the classroom. Provide creative guidance and modification opinions based on each person’s different circumstances.

"Mr. Komatsu, by the way, come here and let me tell you something."

Mrs. Sakai walked through the students on high heels and looked left and right for a moment. , found his purpose.

She stopped Kosatsu Taro and motioned for him to follow her to the corner.

Kosatsu Taro was stunned for a moment.

Mrs. Sakai used to call him Komatsu-kun or Komatsu-san, which was a more intimate title.

Occasionally, he would even omit his last name and call him "Taro" in the tone of his junior.

Now that I use the British title of Mr. Komatsu, I am more polite, but it sounds like there is a sense of alienation.

Omatsu Taro was very unhappy.

I came all the way here for your daughter, but Miss Katsuko seemed to be ignoring him all day long.

It’s okay if you don’t discipline me.

You are still looking at me with an indifferent expression here, you are really treating me like Taro Komatsu as a dish.

I am also a diamond king who often makes women look at him with lustful eyes. Okay?

"Professor Cruz, just in time, I also have something to tell you."

Kosatsu Taro snorted in his heart and changed his title.

He did have some opinions that he wanted to mention to Mrs. Sakai.

Since Taro Komatsu began to pursue Ms. Katsuko Sakai, he has been following the classic route of a doting CEO in Korean dramas.

What happened in exchange?

It was Ms. Sakai who called herself late at night and told Kosatsu Taro "I will not marry you."

All the hard work was poured out on White Eyed Wolf.

In fact, his resentment towards being rejected by Miss Sakai dissipated a lot after drinking two cocktails at the hotel bar.

I like little girls with random thoughts.

Growing up in a wealthy family like Professor Sakai must have been a canary in a jade cage.

The little girl lacks a clear understanding of society and wealth, and does not know the benefits of a high-quality man like him.

As for the future of himself and Sakai Katsuko, Komatsu believes that even if there are short-term twists and turns now, the future must be bright and beautiful.

Miss Katsuko has long hair, short knowledge, big breasts and no brains.

Her mother, Mrs. Sakai, has always been a very sensible person.

Know what is most important and what is best for your daughter.

Mrs. Sakai's wisdom and high emotional intelligence can be seen from the fact that Mrs. Sakai took the initiative to call her here and constantly created opportunities for herself to contact Miss Sakai in the past.

The only regret is that

Miss Katsuko is a bit insufferable, and the effect of the warmth offensive is not very good.

In the past few months,

Sakai Katsuko has not become closer to him, but has a faint tendency to run away.

After Komatsu Taro drank his third glass of whiskey with cherries that night, he made up his mind.

He has already shown his gentle big brother side in the past.

Now, Taro Komatsu is ready to change his approach and show the Yamato man's decisive and resolute side, with the majestic temperament of a samurai.

He, Kosatsu Taro, will be domineering from today on

"Madam, my daughter can't be pampered like this anymore" Kosatsu Taro thought about waiting for a while When talking to Mrs. Sakai, use a low voice and an unquestionable tone, and say coldly, "If you continue to pamper me, your heart will become wild. What will it look like to hang out in Yangon all day. I think it is time for you to make up your mind." , sent your daughter Katsuko back to Japan."

Who is not a domineering and evil CEO?

Since Mrs. Sakai knows in her heart, regardless of her family background, Taro Komatsu. Regardless of talent or learning, he is an irreplaceable person.

I want to be the daughter-in-law of Komatsu Gallery,

It’s boring to keep putting on airs.

Kosatsu Taro said that it would be best to book a flight back to Japan this week and get engaged in Osaka next month.

Women can get married first and then go to college. This kind of thing was not uncommon among female students in the recent Showa era.

If you wait two years and have children, where else can your heart go?

Omatsu Taro thinks that his plan is perfect, and he only regrets that he did not propose it earlier. .

"You also have something to tell me"

Mrs. Sakai stood in the corridor at the door of the classroom, straightened her blond hair on her forehead, and said doubtfully.

"Speak first, Professor Cruz."

Kosatsu Taro curled his lips, preparing to listen to what Mrs. Sakai was going to say first, and then he would accumulate momentum and then attack.

"Okay, that's it."

Mrs. Sakai looked up and down at Kosatsu Taro.

She felt that this guy's current tone and demeanor were a bit strange, and she didn't take it to heart. Instead, she got straight to the point and said, "Shengzi wants to participate in the Singapore Art Biennale at the end of this summer. She may need to She has more time to prepare her own works."

"So, Katsuko and I both think that since time is limited, there is no need for her to be a teaching assistant in the improvement class."

When Mrs. Sakai said this, there was no intention in her tone to gain Taro Kosomatsu’s opinion.

"Ah"

Kosatsu Taro was stunned.

The momentum in my heart that was preparing for an attack was constantly building up, and it suddenly withered like a balloon stuck by a needle.

I’m not coming to the advanced class to be a teaching assistant

Isn’t this the private opportunity Mrs. Sakai promised to create for herself to have more contact with Miss Sakai Katsuko.

Moreover,

Will Katsuko Sakai participate in this year’s Lion City Art Exhibition now? She is so young

“It’s a good thing to participate in the exhibition, Auntie. Miss Sakai is going back As for Japanese painting, I can also spend more time with him and give her some art guidance. After all, you are the elders, and it is easier for us peers to communicate with each other.easy. "Taro Komatsu said this with some confidence.

He is also a professional player who won the third prize in the student category of the Yokohama Art Triennial.

Although the award itself is inseparable from Komatsu The gallery’s marketing helps, but family background is also part of his strength.

I consider myself an outstanding new generation painter.

“Why did I go there so early?”

Mrs. Sakai laughed in her heart.

“Katsuko is very happy creating in Yangon and will not return to Japan until the end of the semester. Guidance or something, thank you Mr. Komatsu for your kindness, but no need. "

Kosatsu Taro frowned tightly.

"If so. I don’t think I need to stay here anymore. Spring and summer are the peak periods for Komatsu Gallery’s business every year, with sales of nearly 100 million yen every month. If Ms. Sakai Katsuko continues like this, I will consider it. Returned to Japan. ”

His words are not only pointing out his dissatisfaction, but also reminding Mrs. Sakai what a big gallery industry he is the heir to.

Komatsu also has a temper, okay? .

I came all the way from Japan, but I didn’t really come to teach these Yangon Mountain Cannons.

“That’s fine. "Mrs. Sakai nodded.

"What are you, madam?" Kosatsu Taro did not expect to get this answer.

He was just expressing his position and negotiating tone, not really I want to go back to Japan.

For example, in the ancient times when Genpei was in power, so many emperors liked to go to temples at all times. It was not because they were really tired of power and wanted to become a monk. It was to express dissatisfaction with the powerful general. The courtier ran to apologize and greet His Majesty, and the Emperor came back.

Kosatsu Taro expressed himself, "If you keep doing this, huh, I will go home." That's what it meant.

In the end, Mrs. Sakai really agreed.

What the hell is "that's fine"?

She drove me away like this. Let's go

If the emperor of Heian Kyoto said in court that he was "tired of the troubles of the world and wanted to become a monk and live a pure life", the ministers below would have been overjoyed and clapped their hands twice. The barber came to the palace with a basin of hot water and said that he had already planned to become a monk.

I guess the emperor would also be very depressed.

Kosatsu Taro is no longer fooled.

“If I really go back, it won’t be so easy if you ask me to come again next time. Miss Katsuko is good, but I’m not someone who can be summoned and left immediately.”

Osomatsu Taro told himself not to panic, Mrs. Sakai was just putting on airs, and she definitely still hoped that she would stay.

"Mr. Xiaosong still has big business to take care of at home, so I won't delay you here for such trivial matters. Say hello to Mr. Kenta Komatsu for me. When I have free time to return to Japan, Kazunari and I will go to Osaka in personMeet President Komatsu. "

"As for Shengzi, well, she is just a naive little girl, not worthy of concern for a young man with a bright future like you.

Mrs. Sakai said expressionlessly, "Let me know when Mr. Komatsu is leaving, and I will book a first-class ticket for you to express my gratitude." ”

She is a very decisive woman.

When she found out that her daughter and Gu Weijing were very close, how decisive she was when she called Komatsu Taro from Japan. .

It’s so decisive to give up on Kosatsu Taro now.

If you can’t become a son-in-law, there is no need to say goodbye over a meal together.

Then he pulled two young people and said with tears in his eyes, "Although you two can't be partners, you can continue to be good friends in private, communicate with each other, and support each other."

Since I have already agreed to the relationship between Gu Weijing and Sakai Katsuko, it would be very shameless to have a relationship with the young people of the Komatsu family here.

I gave it to you. Chance, you are useless.

It is also a sign of respect for Kosatsu Taro to speak clearly now.

“I have to go to the bathroom now. "

After Mrs. Sakai tactfully expressed that Kosatsu Taro could leave, she did not hesitate, turned around and prepared to walk deeper into the corridor.

"Wait a minute, I want to know , is it because of Gu Weijing?"

Osomatsu Taro cannot deceive himself.

He has clearly felt the change in Mrs. Sakai's attitude towards him.

It's just that he still has an unreal sense of absurdity.

Sakai Katsuko is crazy, and Mrs. Sakai is also stupid.

How smart this blond aunt is.

How can I really drive myself away?

"Now that we have reached this point, let's just be honest. Comparing family background, talent, and future, how can I compare with the so-called Gu Weijing? Isn’t he qualified to compare with me if it’s not a difference of fortune?”

Kosatsu Taro gritted his teeth.< /p>

In addition to feeling jealous, I also feel that I have been insulted.

"Well, if Mr. Komatsu really wants to know the answer. ”

Mrs. Sakai originally did not want to respond to such a meaningless question.

It was because Taro Komatsu did come to Yangon for a month specifically for Katsuko.

The blond woman turned sideways. "First and most importantly, Shengzi likes him. ”

“Mr. Komatsu, I don’t want to hurt you. You have your own advantages and a good family background. The silent efforts of ordinary painters throughout their lives cannot be matched by the Komatsu Gallery holding an art exhibition for its young master.” The effect of a marketing promotion, therefore, you do not need to go with your colleaguesTalent is compared with age, and being born well is also strength, but if you really want to compare"

Mrs. Sakai paused for two seconds, suddenly sneered, and looked at Taro Komatsu playfully.

"You are nearly five years older than Gu Weijing, who was born in a remote village. Let's not talk about future potential, but only about your current painting talent. Are you really sure that you can compare with the so-called Gu Weijing in your mouth? Sutra"

After she said this, she didn't even look at Kosatsu Taro, and disappeared deep into the corridor like a proud old princess.

Omatsu Taro was like a frozen sculpture behind him, silent for more than ten seconds.

His face turned blue and purple, and he wanted to get angry, but he held back for some unknown reason. .

For a long time,

Komatsu Taro leaned against the wall, took out his mobile phone from his pocket, and clicked on the photo wall that Sakai Katsuko updated some time ago in the friends column.

The base picture of an oil painting comes into view.

It is a really eye-catching work, with elegant brushwork and fresh and peaceful colors.

p>

The shadows of the leaves seem to be blown by the wind, forming a layered effect, and the look of the picture is harmonious and unified.

Kosatsu Taro browses Katsuko’s stagra every day, and this photo just happened. Shortly after the update, he saw it.

However, Kosatsu Taro was unwilling to believe that this was the manuscript created by Gu Weijing.

"What the hell?" , what can he do?" Komatsu Taro said.

There are indeed senior masters in the world who can fuse different artistic trends in their hands. He himself followed his father to visit a man who lived in Yokohama, a master of painting who is now over 70 years old

This master skillfully combines the flat painting method of Nawa-e with the Brazilian artistic style with strong colonial characteristics in South America. In the Japanese art world, he is regarded as a highly respected figure.

The media flatteringly calls his achievement "the second Impressionism to create Impressionism"

Excluding this. The local media is promoting the momentum. The old gentleman with a gray beard can master such a novel painting style only through half a century of meticulous polishing and tireless artistic pursuit.

There are seven to eight billion people in the world, and there are also rare geniuses.

There are those who graduated from the Royal Academy of Art at the age of sixteen, who won the Pulitzer Prize for cartoons at the age of twenty-seven, and who were thirty-years-old. One of them is Katsuko Sakai, who sold an oil painting worth US$700,000 at the age of 18.

Kosatsu Taro knows that he is not actually a genius without the help of a good family background. , allowing him to be immersed in a hotbed of super artistic resources since he was a child.

At best, he can be considered a talented painter, but he cannot afford the word genius.

Kosatsu Taro is not too discouraged

Those who can really change.Among the great talents in the history of art, who is not born and nurtured by luck, and it takes five, ten, fifteen or even fifty years to produce one?

And if you want to paint great works, Their lives are also mostly bumpy.

Not to mention Van Gogh, Monet was suppressed by academics, Cao Xuan experienced great changes in his family and country, and Picasso was famous enough, but he was both an old gangster and a misogynist.

Those romantic affairs that make outsiders look envious, those love-hate relationships that are constantly being resolved and confused between the artist and his dozen beautiful lovers.

From the perspective of future generations, every page is stained with blood and tears.

His life was torturing both his women and himself.

Genius is the kiss left by God’s lips after they have touched the poison.

Omatsu Taro does not have such a talent, so he does not need to envy him.

Why the hell does Gu Weijing have it?

He is worthy of painting such outstanding works at this age

Especially Miss Sakai The affectionate and gentle caption yove left on the photo on s.

Komatsu Taro looked at the whole person as if he was a fish with a stinging fat head, and he was about to get angry

He took off the Rayben sunglasses on his forehead and fiercely It hit the floor in the corridor, causing the Ferrari co-branded sunglasses worth two thousand dollars to shatter into pieces and bounce around.

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