no personality > All-around great painter > Chapter 251: Breakthrough and Control Fusion Painting

Chapter 251: Breakthrough and Control Fusion Painting

Sakai Katsuko saw Gu Weijing starting to paint and stopped talking to disturb him.

She held a glass of lemonade and looked at it quietly with her head tilted.

Miss Katsuko had a straw in her mouth. From the moment the work on the sketch paper began to take shape, she had not really drank for a long time.

Sakai Katsuko’s teeth bit the wall of the paper straw unconsciously, and the liquid level rose and fell gently with her breathing.

The afternoon sunshine outside the window is just right, and the teak floor has an amber luster.

The little girl hugged the cat and sat on the floor playing indifferently. All she could hear in her ears was the friction of the pen tip on the rough paper and the occasional two impatient cries of the civet cat. "Meow".

Miss Katsuko felt that the surrounding atmosphere was peaceful and serene with a hazy golden sheen, like a watercolor landscape painting of the Hudson River School.

Time slowed down at this moment, as if it could maintain this peaceful and beautiful scene forever in a third world country that has been suffering from war and turmoil all year round.

What also seemed unreal was the pen drawing in the hand of the boy next to him.

"This doesn't look like something a young man could draw."

Katsuko thought to herself.

This comment is often applied to herself by the media.

But compared with Gu Weijing's works in front of her, she felt that he was more qualified to be praised like this. Watching the paintings for the sutras, Katsuko Sakai felt like looking at an ancient fallen leaf temple with young monks chanting sutras.

It doesn’t feel stale just because it’s cliche, and its youthfulness reveals a Zen spirit that is inconsistent with its age.

In front of Sakai Katsuko, Gu Weijing was weaving a mark on the cat's forehead with shading patterns that were intertwined as densely as a fishnet.

The pen and ink have its own style and soul that is taking shape.

It probably won’t take many years to develop your own unique style of writing.

It seems to be the first trace of water on the horizon during spring tide.

One day,

it will turn into waves crashing onto the shore.

Shengzi began to be slightly lost in thought.

She imagined.

Many years later, in the evening, they were walking arm in arm through a magnificent art gallery.

It was a very grand exhibition hall, with reporters’ spotlights flashing, surrounded by his paintings and her paintings.

There is a mobile multimedia screen hanging on the pillars of the exhibition hall that reads "Congratulations to Gu Weijing, artist Sakai Katsuko and his wife for opening a theme art exhibition in a certain art museum."

Someone

She was fascinated by whether the art museum should be the Vatican, the Metropolitan or the Louvre.

It doesn’t matter.

This is actually not important at all.

The important thing is that at that time, Gu Weijing turned her head and said something to herself. She could not hear the specific words clearly. She only felt that the two people were looking at each other, and she imagined that her face wasThe spots are slightly red.

Sakai Katsuko’s face is also a little red now.

She did not shyly let this kind of girl's sleep talk slip away from her mind. Instead, she suddenly let her body follow the beating of her heart and began to want to draw something.

Sakai Katsuko didn’t even want to take the time to get up and look for other painting tools, so she picked up the iad at hand.

She opened the rocreate painting software, adjusted the brush strokes and drew directly on the electronic screen subconsciously.

"I think I'm a bit old. But next time your brother says that all those who draw with IAD are not real artists, you can show him this painting and then blow it up." His dog head."

Gu Weijing put down his drawing board.

He looked at the IAD screen in Sakai Katsuko's hand and couldn't help but raise his eyebrows.

"Katsuko."

"Yeah"

Sakai Katsuko was also staring at the drawing board in front of her. She tucked a lock of hair behind her ear. , making a slight nasal sound.

"You are really a genius, a heartfelt comment. I thought you would have to paint for a few more weeks to fully find the feeling, but you have done it now."

Gu Weijing said softly.

Untitled work

Mediocre crayon technique

Emotional feeling

In order to capture the moment in her heart, Katsuko Sakai I feel like I just used the crayon brush in rocreate, which is the easiest and fastest way to paint.

She only drew a profile of a man, with only a few faint strokes on his facial features.

Unlike oil pastels, crayons have a weak ability to stack colors, and the paintings they draw will not be too realistic.

Gu Weijing could see his own shadow on the side of his face.

For some reason, there seemed to be shallow wrinkles on his forehead. He looked like he was about thirty years old. The key was the look in his side face.

The eyes are the windows to the soul.

In this painting by Sakai Katsuko, most of the energy is spent on the eyes on the side of the face, and there seems to be colorful light reflected in the eyes.

Ask yourself,

Gu Weijing thought it was difficult for him to make such a daughter-like look.

In reality, how complex the external lighting conditions are to reflect such colorful colors on human eyes

However, Picasso also painted his wife with three legs. , this does not prevent it from being a very touching painting at all.

As early as the first time I saw the paintings on the iad screen.

Gu Weijing immediately understood that Sakai Katsuko had finally succeeded in integrating her emotions and brushwork, and created a painting that the audience could empathize with.

Use the calligraphy and painting identification technique to take a look.

As expected, he saw the comments that made him feel deeply.

“Ah.”

At this moment, Sakai Katsuko completely changed her mind.Pulled away from the reverie in his mind.

She looked at the work she had just drawn on the hand-drawing board, stared at it for a few seconds, and let out a slight exclamation.

The artistic problems that have troubled her over the years, including her father’s comment that painting “has a body but no soul, it is difficult to become a master”, are troubles that she has been unable to overcome despite years of hard work in the studio.

At the moment when this painting was completed,

it all disappeared.

Sakai Katsuko gently hugged Gu Weijing's shoulders without saying a word, buried her head in the boy's arms, and just held him like that.

Little girl Jasmine and Awang both turned their heads and looked at a young couple on the sofa.

"Brother and sister's matter, little cat, please don't look around."

Like a little adult, Jasmine ignored Awang's extremely dissatisfied protest and used her palm to block the raccoon dog. Cat's eyes.

The little girl herself opened her eyes hard, with shyness and curiosity, staring at Sister Sakai and Brother Gu Weijing without blinking.

There are no intense scenes that children may imagine.

Sakai Shengzi just hugged Gu Weijing silently, holding him very hard, as if she wanted to rub him into her body.

"I'm very happy. Thank you, Gu Jun, you are such a good teacher."

Half a minute later,

Sakai Katsuko let go of her arm.

Her breathing was still rapid, and there was still a blush on her face, but she had regained her composure.

"Actually, it's not as exciting as I thought. I thought I would cry." Sakai Katsuko touched her hot face.

Students with a score of 580 suddenly stepped on the shit they stepped on. Only after they passed the college entrance examination and passed Tsinghua University could they be as happy as Fan Jin who passed the exam.

Sakai Katsuko was originally a candidate with a score of 700.

When Ms. Sakai followed the instructions of Kaori, she began to practice continuously, and felt that her soul and the model were getting closer, she had a vague premonition of this moment.

When Ms. Sakai was painting on the IAD, she did not even consider any painting technique issues at all.

It’s just that the warmth in my heart makes the warm feeling flow continuously down the pen.

Her soul dwells in the middle ground between reality and imagination.

The whole person felt safe and happy, as warm as if he had returned to his mother's amniotic fluid.

So, when I came back to my senses, I saw that I had really painted a very good work.

After the initial surprise, Sakai Katsuko only had the peace of mind that the fruit trees she planted finally blossomed and bore fruit under her tireless watering.

"What a pity, it turned out to be an electronic version drawn on IAD, and I'm not very proficient in crayon drawing."

Sakai Katsuko sniffed regretfully.

Without the tactile feeling of being able to touch the delicate textures of paper works, it is still somewhat less interesting..

"Anyway, it's just random graffiti. For some of the first paintings, if you find a way and reflect on this feeling more, it will be much easier to paint in the future. You don't have to pay too much attention to it. If you don't like it, just delete it. ."

Gu Weijing said with relief.

"It's just not perfect, it's not that I don't like it. I'm not willing to delete such a memorable painting." Sakai Katsuko rolled her eyes at her boyfriend who made a straight-faced statement that didn't understand the girl's thoughts.

She carefully preserved this crayon doodle.

Not only saved locally in the rocreate software, but also carefully backed up in Apple's icoud cloud.

“It’s quite interesting that this painting is called Tomorrow.”

When Gu Weijing saw Sakai Katsuko naming the work, he pondered for a few seconds and entered “ toorro" tag.

"Well, that's the name. I made a small wish when I was drawing."

"What is it?" Gu Weijing was curious.

"I won't tell you, but the old monk who sells peace guards in Sensoji Temple told me that this kind of wish will not work if you say it."

Miss Sakai has a rare playful expression. With a smile, he rejected Gu Weijing's request.

She did not explain the meaning of the painting to her boyfriend.

Sakai Katsuko secretly hoped.

She hopes that one day, when they really hold a joint art exhibition together, no matter how far her skills have progressed at that time, no matter how grand the art exhibition is.

When the time comes, this crayon graffiti will be the first work in the art exhibition tomorrow.

"Don't just look at me, bring your painting over and let's take a look at it together."

Just now, Sakai Katsuko felt that Gu Weijing must have also painted it An extremely excellent piece of work.

After the other party finished painting, she also started to draw her own crayon paintings. She had not yet fully appreciated the jasmine painted by Gu Weijing.

"Here."

Gu Weijing picked up the drawing board from the bean bag sofa.

He didn’t even dispose of the masking tape and handed it to his girlfriend intact.

Sakai Katsuko’s eyes slowly followed the pen line and slid across the sketch paper.

She admired the pen drawings, while Gu Weijing admired Katsuko Sakai.

Girls always look good when they are serious, with a beautiful nose bridge and exquisite long eyelashes like light-colored butterflies, ready to spread their wings at any time.

"Alas"

Katsuko, who was looking at the painting, suddenly sighed.

"The drawing is wrong"

"No, it's very cute. Jasmine is cute, Mao Miao is cute, and the drawing is also very cute."

Miss Sakai will Gu Weijing's paintings were placed next to the IAD screen. He stared at the two paintings and shook his head in slight disappointment.

We really need to work harder

A strong sense of urgency arose in Sakai Katsuko's heart.

Gu WeijingThe pace of progress is really too fast.

Not only was he better at sketching than her, but his familiarity with muscle texture was as if he had "cut" someone with a scalpel, it was so natural and incredible.

On the level of muscle lines that Ms. Sakai has seen during this period after the Spring Festival.

The most powerful one is the detective cat in Mr. Hyperion’s channel video, which is truly as accurate as a medical textbook.

Secondly, it turned out to be Gu Weijing next to him.

It doesn’t matter if you have “cut” someone else, it seems like you have even “cut” a cat.

From the hair to the expression.

The lines drawn by the pen look like a cat jumping into the paper and rolling out.

Some painters focus on the accuracy of the object, even a hair must be accurately grasped again and again. Some painters give up small relationships, focus on big relationships, and focus on motion capture. Some painters pursue the contrast of light and dark. , persistently depicting the brightness and translucency of the picture

All roads lead to Rome.

There is no right or wrong way to do this. I could talk endlessly for three days and three nights about the different starting points of theory and painting, but we can achieve the same goal by different paths.

No matter which painting method is used, whether the picture is alive or not can be known at a glance.

This pen drawing is "alive".

The advantages of the fine lines of the needle pen are fully reflected by the boys. The cat’s whiskers trembling in the air, the tiger’s teeth gently clicking, and the small shadows on the clear dimples on the little girl’s cheeks

< p>Every frown and every smile is expressive.

Sakai Katsuko didn’t know whether she should be happy or disappointed now.

Obviously she has just made such a big breakthrough, but her works are still inferior to those of many people around her.

"The painting is really good. I still remember when we said goodbye in the parking lot. I told you not to be left too far behind by me, but it has only been two months, and the person who was left behind is... You're going to become me."

"You drew it," Gu Weijing wanted to say.

"No, I don't need you to comfort me. It's better to be better than anything else."

Sakai Katsuko turned her head frankly and shook her hair.

She is a proud girl and does not need others to make excuses for her. "I am happy for your progress, but I do not need you to stop and wait for me."

" Jasmine, have you finished your homework today? If so, could you please be my sister's model for a while?"

Sakai Katsuko put down the drawing board and stood up, waving to Jasmine.

"I'm going to paint. Gu Jun, just keep moving forward."

The girl turned her head and leaned forward.

Shengzi rubbed her nose against Gu Weijing's cheek, and she whispered in his ear with a gentle but firm tone, "I will catch up by myself, I promise."< /p>

Mom is right.

When you are in love, you should be like a peacock, showing your most glorious and gorgeous side to your lover as much as possible.

WineMs. Jing hopes to reach the highest level of art accompanied by the people around her.

Her pride is not willing to be abandoned by others midway.

"Let's go, Jasmine, the sunshine is nice now. Today we will go to the outdoor yard to paint. I want to feel the wind flowing on my face. You can bring the cat with you."

p>

Gu Weijing didn’t know that he had inadvertently inspired Sakai Katsuko’s fighting spirit.

He watched Katsuko Sakai step on her white sneakers with pink flowers, holding her painting tools in one hand and holding Jasmine in the other.

Jasmine hugs the cat.

The two people and the pet disappeared at the door.

Gu Weijing smiled and stood up. He filled an espresso capsule into the coffee machine. After making a cup of coffee, he stretched out and took out a roll of canvas. come out.

The career of a painter seems to be very leisurely.

It takes three years to paint one painting, and one painting lasts three years. This statement is actually an exaggeration.

Unless it takes three or five years to prepare for a very important art exhibition.

Otherwise, professional painters who are basically still in the creative cycle must come up with new works of art every year to ensure market popularity and collectors’ familiarity with your name.

There is also the issue of eating.

No matter how popular your past works are in the market and how much they increase, collectors and galleries make money.

As a producer of art, painters can usually only make money on new works.

Great painters seem to have high incomes, but their consumption is also high.

There are private jets to keep, supermodels to hang out with, and islands in the Pacific to buy.

If you want to open a large-scale art exhibition with great imagination, and the gallery is unwilling to pay or is unwilling to pay all the money, it will easily cost millions.

Painters are often short of money.

Except for Manet, whose father, the chancellor, left an inheritance of about one million francs. At that time, let alone playing with yachts, it was enough to just buy a main battleship.

Although Monet, Matisse, and Seurat were almost in the twilight years of their careers, they still often painted new works and sold them to art dealers and familiar collectors.

But some great painters can paint three or four paintings a year, and one painting can last for several months.

This is not uncommon in the industry.

An oil painting, acrylic painting, or watercolor painting can take a few hours if it is fast, and 20 hours of pure working time should be enough if you deduct the time of waiting for drying if it is slow.

The accumulated working hours in a quarter are less than one day, which sounds very enviable.

In fact,

Kung Fu lies outside the play.

Behind such important fine paintings are often hundreds of scraps and practice works destroyed by the artist. The various time costs are greater than the hours spent on painting the final piece of work itself.

ManyMore than ten times more.

Picasso was like an emotionless printing press. He processed nearly 40,000 works of art in his lifetime. It took more than a hundred years to complete one piece every day.

But Lao Bi's truly exquisite works are all the result of repeated practice, repeated conception, and repeated redrawing, which took weeks or even months to complete.

Read the book a hundred times, and its meaning will become apparent.

Painting not only pursues the instant enlightenment of a wake-up call, but also pursues the hard work of grinding the iron inkstone through the ink pool to fully dye it

Gu Weijing’s systematic help saved the day. This eliminates the hassle of practicing pen proficiency.

There are some feelings that can only be drawn into your heart after you draw them ten or a hundred times, but you still cannot save them.

Let’s compare his latest painting No. 5 of Good Luck Orphanage in the Sun with the original sketch he drew under the guidance of Mr. Chen, the collector.

The painting is still the same, but many small details have become more refined.

The undulations of the leaves are more natural, and the faces of the characters are fuller.

It’s like a 3A game manufacturer adding a texture module with higher definition after the game is released.

In particular, the finger smearing method developed by Sakai Katsuko gave Miss Katsuko a very good idea for the transformation of the picture. The specific operation requires Gu Weijing’s own continuous understanding in practice.

Gu Weijing stretched the canvas, casually wrote an Arabic numeral 6 on the blank space at the end of the canvas, and started painting.

Draft, basemap, coloring.

Step by step.

A painter who can follow the steps when painting is actually worthy of celebration.

Extraordinary performance is a good thing that can burn three candles of incense.

Being able to finish the work step by step means that your painting ability has been fully demonstrated.

When art students draw, they will always encounter unexpected situations of one kind or another. The colors are too light, the thinner is added too much, and the beauty painted looks like Zhu Yuanzhang

< p>The creation of art students is to struggle with various mistakes.

The more difficult the drawing, the more so.

Problems may not only occur within the painting, but also on the artist.

Knocking over the easel, shoveling the wrong oil with shaking hands, or even the important art exams every year, you can be confident and only bring warm-toned paints to the exam room, and then find that the question asks you to use cold colors. He used the department’s paints to paint a picture, but he couldn’t believe the careless examinee who cried bitterly.

In fact,

following the steps is much more difficult than imagined.

If you are taking the Art Entrance Examination, following the steps means that all your efforts have not been disappointed.

If you are at the graduation exhibition, following the steps means that your work will usually graduate normally.

If someone like Gu Weijing paints a fusion painting step by step, it means that heI am gradually able to fully master the painting techniques in my hands.

"Master Fusion Painting"

After Gu Weijing discovered this change, he became more energetic.

When he painted fusion paintings some time ago, it was like driving a heavy truck downhill, fighting with the brush in his hand all the time.

Nowadays it seems that this painting method is not so difficult.

Many details that used to take a long time to consider can now be drawn in a few clicks without much thinking at all.

Use the pen as you wish, draw faster and draw better.

“The role of sketching techniques.”

Gu Weijing used a brush to point out the color blocks of the tree trunks in the middle ground, and used brush strokes to easily cut out the leaves and distant roof tiles of the church. of division.

In the composition, the leaves and the roof together form a large color block transitioning from the mid-range to the long-range.

Even if they are the same gradient color block, Gu Weijing does not want them to look like a ball of paste with no distinction.

You can see the role of professional second-level sketching technology in the painting process by using a pen here.

Sketching brings accurate drafts, precise drafts bring more informative base maps, and more informative base maps bring ease to the drawing process.

The artist becomes more confident because of this information when painting with a pen.

The sketch directly supports the skeleton of the entire painting. It would be weird if the effect of the painting cannot be more spiritual.

Unconsciously, Gu Weijing began to paint faster and faster.

It once took him two to three hours to draw a base map.

Today, it was the moment when Gu Weijing finally used his fingers to dye the transition between the clouds in the sky, and showed the sixth picture of the Good Luck Orphanage under the sun to his eyes. Less than five hours had passed since he started writing.

Even the sunset at dusk has not completely faded from the horizon. He has finished this painting.

The virtual panel raised by the system appeared in front of Gu Weijing.

Work title Good Luck Orphanage under the Sun

Sketch Technique v5 Professional Painter Second Level 50110000

Oil Painting Technique v5 Professional Painter Second Level 70110000

Chinese Painting Techniques v4 Professional Painter Level 1 29215000

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