"Yes, I did it."
Sakai Katsuko put down the charcoal stick, took Gu Weijing's hand, and looked sideways at the sketch on the canvas.
This level of sketching technique is a field that countless ordinary painters have struggled to pursue throughout their lives.
For Ms. Sakai, it is just a small career, just like the first small hill to climb in life.
Many, many years ago.
Katsuko Sakai had the courage to tell the most famous art master in the world in a huge art museum with people coming and going, that one day she would become a greater and more famous artist than Takashi Murakami. Artist's Statement.
Katsuko Sakai has never doubted that one day she would be able to overcome the art bottleneck that troubled her.
The highest peak in the field of art, no matter how high the mountain is or how deep the snow is, she will eventually climb up step by step until the end of the sky.
It’s just that Lian Shengzi himself didn’t expect that this day would come so quickly.
On this spring afternoon when she was seventeen years old, she decided to sprint towards the Singapore Art Biennale.
Because of the boys around me, everything happened just right.
Sakai Katsuko quietly stood up on her tiptoes and put her head on Gu Weijing's shoulder in a gentle and virtuous manner.
"Gu Weijing"
"Yeah"
"We can also raise a cat together in the future. Awang looks very cute, I don't know how to give it to him Would it look better if she bought a cat-shaped bow headband?"
Sakai Katsuko wanted to talk about sketching, art, and the competition and challenges in the upcoming art exhibition.
When the words came to his lips, he lost interest in saying these things.
The girl narrowed her eyes slightly.
What should come will always come, and now, she just wants to enjoy the breeze blowing on her cheeks on this quiet spring day.
Life is wonderful.
"Awang is a bit fierce. By the way, Mr. Wu is very sad about your behavior of pampering his cat. He has already set his sights on the can of cheese cat I took over, and he can't wait to see it. I took it away and chewed it as a snack."
Gu Weijing recalled an interesting incident.
The last time the old man next door used his mobile phone to scan the canned meat rations in front of his local cat, and it was sold on Amazon for 116 dollars a can, Old Man Wu almost stared out of his eyes. expression.
Seriously.
Awang’s current food expenses are higher than the per capita monthly salary of ordinary people in this country, and he also eats better than people over 90 in this country.
Keep going like this.
The day when Ngawang and her master fight over eating canned food is not far away.
"I'll buy whatever the old gentleman wants to eat, so he doesn't eat from Awang, okay?" Sakai Shengzi just pursed her lips and smiled mischievously.
Gu Wei JingheSakai Katsuko laughed a little for a while. While chatting, his eyes were constantly staring at the draft on the drawing board in front of Shengzi.
"Hi, what are you thinking about?"
Sakai Shengzi noticed Gu Weijing's hesitant expression, straightened her hair, and she took the initiative to ask.
"I have a small suggestion." Gu Weijing walked to the drawing board, "If this is the draft of your exhibition painting, I am thinking, maybe it can be done"
He He reached out his hand and broke off a small piece of oatmeal bread on the table.
Oatmeal bread is not a snack when painting, but a part of the painting tools.
It is difficult to erase the sketch marks on the canvas with an ordinary eraser. The surface of the baked bread is full of unique fiber texture, which is an excellent item for absorbing charcoal powder.
From the time of Leonardo da Vinci's paintings.
Painters and draughtsmen always keep a piece of bread handy when working to revise their drawings.
This tradition continues to this day.
From an effect point of view, soft bread crumbs and charcoal powder are almost a perfect match. The ability to absorb black powder cannot be replaced by vc rubber.
Gu Weijing sometimes uses canvas erasers produced by drawing pencil brands such as Faber-Castell instead of bread to draw.
It’s not that the effect is better, it’s just based on cost considerations.
A piece of industrial eraser costs only a few dollars at best, and using soft bread to erase paintings year after year has actually been quite a luxury from the Middle Ages to the present.
Sakai Katsuko’s painting method is very classical and willful.
She is still the same as the great painters hundreds of years ago. She always has a few pieces of oatmeal bread ready next to her easel.
"Do you have any better suggestions for revising my drawings?"
Sakai Katsuko asked.
It’s not that she is proud, but that she is really satisfied with her manuscript.
"No big changes, just some character line proportions. A slight adjustment would probably be better."
When Gu Weijing saw Sakai Katsuko, he indicated with his eyes that he could do it. Work directly on this canvas.
So, he carefully glued away some lines and added some lines with charcoal.
Judging from Gu Weijing's current perspective, there is nothing wrong with the girl's composition and painting ideas.
It is both lively and interesting, and contains a Zen meaning.
Compared with the creative composition of the Lucky Orphanage under the sun before Boss Chen’s guidance, I don’t know how much better it was.
There is just a trace of disharmony in the sketch lines.
It stands to reason that both of them are at V5 sketching level, and their line structure ability is evenly matched. In terms of art accumulation and artistic vision, Sakai Katsuko has the advantage.
But Gu Weijing has two completely unreasonable knowledge cards: human anatomy and pet mind reading.piece.
In terms of mastering the anatomical drawing knowledge of human figures and cat's squinting muscles, there are only a few painters in the world who can defeat Gu Weijing.
Even if the second-level professional sketching skills cannot bring out the full power of the knowledge cards, it is still very easy to slightly change the drawing of Sakai Katsuko.
The draft does not have complicated charcoal shadows, and the painting is originally very light.
Gu Weijing spent a short time, slightly changed a dozen lines, then put down the charcoal and nodded and said, "Okay, isn't this better?"
Sakai Katsuko stared at the canvas and didn't speak for a long time.
I am afraid of comparison in everything.
No matter how proficient in lines, Komatsu Taro is not that incompetent in sketching among painters of his age, but when he presented the treasure to Sakai Katsuko, he was said to be full of mistakes.
Miss Katsuko has painted over 1,800 plaster models and human models. She is very confident in her ability to depict muscular bodies.
However, now in front of Gu Weijing, Sakai Katsuko felt once again the feeling of being hit by talent.
It is difficult to say what major changes Gu Weijing made to the line draft.
On the canvas in front of me, there are still faint traces of the gray remaining traces of my original lines before modification.
The trends of the old and new lines almost completely overlap, with only a slight difference in arc curvature and an azimuth shift of one or two millimeters.
In fact, in the rough sketch of the characters on the canvas, Katsuko Sakai’s lines were already very good.
It would be surprising if there were any big changes.
Just a shift of one or two points produces a difference in expressive effect visible to the naked eye in the sketch sample.
It’s hard to say which modification made the difference compared to the line draft I made before.
All the changes for boys are very minor.
The curvature of Jasmine’s spine has been increased by one point, the apex of the toes and the arch of the foot has been pulled up a few millimeters, the direction of the cat’s tail swinging, and the tangent arc surface where the ears and round face contact All have slight changes.
Just between the deviations of these fragmentary lines, the picture suddenly became clear, and the draft sample on the linen canvas came to life as if the moon were revealed through clouds
“It’s really the finishing touch.”< /p>
Sakai Shengzi put Gu Weijing's arm into her arms and sniffed.
"This is not the finishing touch. Compared with the masterpieces that can really make the whole painting come alive, I just slightly adjusted a few lines based on my feeling. You have already drawn 99, I at most It makes up for the shortcomings of the last one."
Gu Weijing is not being modest.
He had seen the real finishing touch.
In the face of the miraculous effect Mr. Cao Xuan made on the murals in front of the Shwedagon Pagoda, his girlfriend praised him as "the finishing touch" when he changed the lines based on the knowledge cards.
It's a bit embarrassing to play a big sword in front of Guan Gong's gate.
Unfortunately,
Sakai Katsuko is a girl, so some Buddhist temples and areas of the Shwedagon Pagoda are inaccessible, so she did not have the opportunity to see that extremely shocking scene with her own eyes.
“Sketch is the reflection of personal emotions and experiences on paper. Your aura is more important than my 99% effort. Compared with the current drawings, my original paintings are just department stores. There are plastic dolls in the building and cat-shaped plush toys sold in the mall."
Sakai Katsuko corrected seriously.
She knew that Gu Weijing’s muscle lines were extremely accurate.
But it was only when he personally changed the drawing for himself that Shengzi could so clearly feel the gap in understanding of muscle lines between the two people.
The appeal of "real" and "live" works to the audience is completely different.
This is the difference in perceptual cognition.
After a few minutes of modification, Gu Wei added at least 30% more color to the final effect of this work.
It is precisely because I understand this.
Miss Sakai Katsuko’s toes are now curled up in her socks in surprise.
"In the field of muscle line interpretation, you are enough to be my teacher." The tone of the girl in the skirt rarely contained a hint of heartfelt reverence.
Love is a mixture of passions.
Hugo believed that it includes the worship of the body and the worship of the spirit.
Katsuko is such a proud genius.
It is difficult to like someone, and it is even harder to truly admire or even admire a person of the same age.
The more knowledgeable you are, the more proud you are. When you ponder the works in front of you, you can taste the horrible and terrifying flavor.
It’s not terrible to have shortcomings in your own pictures.
The really scary thing is that she didn't even realize the problem existed before.
Katsuko thought that her painting was very coordinated and realistic before.
So the character image in the draft just now is the limit of her ability to draw muscle lines, and even the limit of her vision and understanding.
Gu Weijing discovered a problem. I casually corrected the problematic lines and drew a "guidance painting".
Be ignorant, discover problems, and correct problems.
They respectively correspond to three completely different realms of mastering the anatomy of painting.
The gap between each realm is like clouds and mud.
"I'm so happy to be your girl." Sakai Katsuko's cheeks were dripping with love, she closed her eyes slightly and rubbed against Gu Weijing's chest.
Gu Weijing saw Shengzi's cuteness and became jealous. He couldn't help pinching the girl's pink earlobe with his fingers.
Sakai Katsuko blushed.
But she did not dodge. Instead, she turned her head slightly to allow Gu Weijing to squeeze more easily..
"I am also very happy to be your boyfriend."
Gu Weijing felt that Shengzi was really fun. He was so well-behaved and obedient that he couldn't help but want to take a bite.
He doesn’t know.
Actually, Miss Katsuko only shows this soft and waxy feeling when she is in front of her.
Sakai Katsuko has never been the kind of soft-tempered person who clings to others like a feather.
She may have a good personality.
However, in the eyes of outsiders, Katsuko is the precious daughter of a top artist.
She is confident, powerful, and unattainable.
Tsunamasa Sakai, the younger brother of the same mother, had his head dyed in colorful colors that was very unconventional, but Katsuko was able to treat him submissively. Compared to Mrs. Sakai, whose mouth is as poisonous as a knife, Tsunamasa Sakai is actually a little afraid of the elder sister who has been better than him in everything he has done since he was a child.
Compared with his glamorous sister, Tsunamasa Sakai felt that he was just a bonus.
The same is true for Dulwich College. After the initial curiosity about transfer students dissipated, invisible class barriers appeared in everyone's mind.
No matter family background, appearance or talent.
In every aspect, Katsuko Sakai is so beautiful that she has an aura that is hard to get close to.
People with a slightly inferior self-esteem would feel uncomfortable even sitting at the table next to Katsuko to eat. In addition to being a bit social, Kou Kou, who is also a girl, relies on her shamelessness to become Sakai Katsuko's chat software friend.
Like Jerry, a prodigal in love.
He dared to form a band at the opening ceremony to express his love to Mona in public, but he did not even have the courage to strike up a conversation with Miss Sakai.
Kosatsu Taro has known Sakai Katsuko for much longer than Gu Weijing. Unfortunately, he will never have the opportunity to see Miss Katsuko, who is so sweet and caring.
Similarly,
Komatsu would not believe that the cold and unapproachable goddess in her eyes would turn her face sideways and obediently let a boy scratch her ears.
The only person who could make Sakai Katsuko make such a gesture was Gu Weijing.
Only this person of the same age, from the first moment they met, kept giving me one surprise after another, refreshing my understanding of him again and again.
This kind of mystery that is like a cloud and mist, and occasionally reveals magical abilities that make her admire. Among all the boys that Miss Shengzi has known in her life, only Gu Weijing does it. arrive.
So much so that the girl felt conquered.
So only Gu Weijing has the blessing and luck to see such a touching side of Sakai Katsuko.
Miss Sakai leaned against Gu Weijing, her whole body numb with tension. She closed her eyes and waited for a while, her heart beating like a drum.
Gu Weijing’s hand seemed to be rubbing her earlobe persistently.
Sakai Katsuko once again brought SanfenqingFortunately, I opened my eyes with regret.
Gu Weijing didn’t know that he had just missed a good opportunity to kiss Sakai Katsuko.
Given Miss Katsuko’s state of mind just now, if her boyfriend really wanted to ask for a kiss, she would actually not refuse. Please remember to collect it, the latest and fastest website is free to read without anti-theft