Gu Weijing threw the brush into the brush washer aside.
He lowered his head and looked at the still wet scroll on the page. Even when he came to his senses, he was slightly frightened.
The painting is so beautiful
In order to paint the little prince, Gu Weijing walked through the boundless nebula in the candlelight and looked at the little shot on the sand dune for forty years. It took four sunrises to get the last piece of work that was "a painstaking effort".
In front of you.
The second Chinese painting of the same standard in his life was lying alive on the table in front of him, the ink was as red as blood.
The painting process was not painful at all, he was just slightly mentally exhausted.
The slight sleepiness you feel after returning home after traveling thousands of miles.
He looked at the picture of wisteria he had drawn, then turned to look at Tangning's picture of hundreds of flowers hanging on the wall. He picked up a brush hanging on the window sill to dry next to him and placed it on the wall. Biting gently in his mouth.
This behavior is very childish.
Gu Weijing developed a habit when he was a child helping his grandfather to take care of his artwork. Chinese paintings are very delicate and are afraid of moisture and dryness. Under normal circumstances, the ambient humidity cannot be higher than 60. In order to keep the paint moist and bright, It is also best not to be lower than 48. Use the tip of your tongue to feel the tip of the brush. It is not astringent, not wet, and moderately soft.
Lick it gently and you can feel a hint of moisture on the tongue coating, but there must be no real moisture. This is the ideal condition for placing calligraphy and painting works.
This is a native method passed down from generation to generation by the elders.
When he grew up, Gu Weijing still liked to bite the pen occasionally after finishing his painting.
After Sakai Katsuko discovered this little habit of her boyfriend, she was a little worried. In the past two weeks, she tried many times to ask Gu Weijing to correct this bad habit of biting pens.
Historically, Wang Ximeng, a court painter of the Northern Song Dynasty who painted the Thousand Miles of Rivers and Mountains, was said to have nothing to do and liked to lick the paint and hang up his pigtails.
The plant-based pigments used in Chinese paintings are okay, and plant extracts such as rouge are not harmful. However, dark red pigments contain almost every water of mercury, and yellow pigments almost contain arsenic and arsenic. Are close relatives.
As for the quick-drying test paints in oil paintings, every one of them contains heavy metals such as manganese, lead, and cadmium as additives that allow the oil paint to solidify quickly.
Although talking about toxicity regardless of dosage is a hoax, there are very few toxic substances in a washed and dried paintbrush.
It’s not just a snack for fun, right?
I like to check the humidity. Ready-made humidifiers are everywhere, which is no more accurate than licking a brush.
When Gu Weijing was painting, Sakai Katsuko never influenced him. But whenever I see Gu Weijing preparing to stuff a brush into his mouth, he will pat his forehead lightly.
There is a row of lemon-flavored lollipops stuck on the pen holder in the small studio.
That is not for little Jasmine, but for Miss Katsuko’s boyfriend.
She believed that Gu Weijing had an unconscious biting and chewing pica.
This is a disease that needs to be corrected. He likes to bite things. Whenever he bites a pen, Miss Katsuko will be considerate and peel a lollipop beside him and feed it to his mouth.
Same as Pavlov’s dog.
In the future, if you develop muscle memory conditioned reflexes, your boyfriend will stop biting pens and start biting lollipops instead.
Sakai Katsuko’s boyfriend development plan has achieved little results so far, but the power of habit is very powerful.
In the dead of night, when Miss Sakai is not around, Gu Weijing still likes to bite the tip of the brush gently with his teeth as he did when he was young.
Testing the humidity is just incidental.
He prefers the taste of the sporadic residual ink remaining in the gaps between the brushes on the tip of his tongue. It is bitter when he first enters the mouth, and the aftertaste is slightly sweet.
Pious monks in the Middle Ages would beat their naked backs with rattan leather straps inlaid with thorns, believing that the pain would allow their bodies to better establish direct communication with the gods in the sky.
Gu Weijing likes this kind of bitterness.
Bitterness is a kind of hidden bridge, linking the painter and his calligraphy and painting works together, like a vague and absent link.
Lemon lollipops cannot give him such a sense of security.
Gu Weijing bit the tip of the pen, and the clear feeling on the tip of his tongue reminded him that the shocking and moving painting in front of him was painted by his own hands.
This work may not be the most awesome work in his life, but it is the perfect ending to the late spring when he is about to turn eighteen.
Those lifelike wisteria flowers and leaves forever solidified his state of mind on the paper.
From now on.
It will never wither over time.
“The indoor humidity is a little bit high now, but it’s not to the point where the ink will not dry through or the humidity will damage the painting like in the rainy season in July and August. When the rain stops during the day tomorrow, the temperature will go up. , It should be noon, and this painting will be almost done. What words should I mention that would be better?"
Traditional Chinese painting pays attention to inscriptions and postscripts.
Gu Weijing first took a piece of his seal seal, carved it on the corner of the rice paper as a signature, and then raised his eyebrows in thought.
Gu Weijing also broke and then stood up, but his mentality was similar to Uncle Sakai, but also fundamentally different.
After Professor Kazunari Sakai painted that painting, he felt at peace and let go. He didn’t care much about whether anyone saw the painting, nor how much money it could be sold for.
Because he already has the most important audience, Mrs. Cruz.
This person is like a rainbow.
The rest are all noise.
Gu Weijing was different. His painting was just to meet Tang Ning's doubts, and it was meant to be seen by others.
Uncle Sakai paints paintings of tranquility.
Gu Weijing’s paintings are about meeting challenges.A painting of competition, a painting of new life after letting go of fear and self-pity, a painting of adulthood.
He wanted to use the paintbrush in his hand to paint his own dignity on Tangning.
The postscript reads "To Seniors"
A bit soft, Tang Ning didn't talk to him so well.
Either write "draw it for you to see"
It's a bit vulgar, and Gu Weijing's ancient Chinese writing skills are average. He writes in vernacular and uses prompts like a shrew scolding the street. I don't know. Tangning saw how she felt.
Gu Weijing himself felt that such a great work had been insulted.
Hmm
He fell into deep thought for a long time. He went to a European-style English-speaking international school, and his classical Chinese skills were inherently insufficient. It was difficult to think of a letter that could express his mood. , expressive and elegant inscriptions.
Gu Weijing bit his pen.
I had finished drawing, but I was stumped by the prompt.
He thought about it and hesitated whether to visit Old Man Wu next door tomorrow morning.
This old man practices calligraphy. He writes questions like this for people every three days. He has a specialization in the art, so he should understand.
Huh
Gu Weijing suddenly patted his head.
He suddenly realized that he had made a mistake.
The old godfather in The Godfather said that a person who can understand the essence of a thing in an instant has a different fate than a person who spends half a lifetime unable to see the essence of a thing clearly.
Gu Weijing calmed down and suddenly realized that he had mistaken the essence of the matter.
Tang Ning protested against him because the female painter hated him. This statement was too flattering to him.
It’s because Mr. Cao showed his love for him.
The essence of the matter is always Mr. Cao Xuan’s attitude.
The rest is completely unimportant to Gu Weijing.
Therefore, when people say that you cannot express her divine will without drawing, what he should not do is draw a great work to respond.
Advocate some demonstrative words on the scroll and give it to Tangning, and the other party may not care at all.
He should be dedicated to Mr. Cao.
After thinking about this, Gu Weijing knew what he should do now and how to write.
He raised his head and glanced at the Hundred Flowers Picture. This work was also very innovative. It was different from ordinary Chinese paintings. Except for a small signature with the word "Ning", there was no Title.
In the blank space on the right side of the picture, Tang Ning mentioned the four words "Qiongpa Jiecui" in regular regular script.
He only learned about the extraordinary origin of these four words after listening to Professor Lin Tao.
Qiongpa and emerald green flowers are not only referring to the colorful flowers and trees in her paintings, with frosty white spots and emerald green spots, but also a metaphor.
Among the four great talents in Jiangnan, Wen Zhengming became famous at the oldest age and had the highest achievements. Whether it's books, paintings, or articles, Wen Zhengming can be ranked next to Tang Bohu, Zhu Zhishan, etc.people in front.
Considered by many scholars to be the first person with artistic attainments in the Ming Dynasty.
When Wen Zhengming was a guest at the Zhao Family in Tianshui, he painted a total of eight volumes of flower pictures, including bluegrass, wildflowers, and crabapple roses. The whole painting is simple but not simple, fresh and pleasant, and has a long meaning.
On the first page of this set of flower pictures, there are four words: "Qiongpa and green flowers".
Ms. Tang Ning is not only imitating the past and paying homage to the famous ancient flower painters, but she is also an artistic super star of Chu Feng Chu Cry, catching up with the momentum and ambition of the ancients.
People today are not necessarily inferior to the ancients.
Tang Ning hopes that her simple picture of a hundred flowers can serve as a reminder of the four words "Qiongpa and Cui", better than Wen Zhengming's eight-volume complicated flower pictures.
When later generations of literati mentioned this allusion, they first thought of Miss Tang Ning, and then the great talent of the Ming Dynasty.
Look.
Just these four words, there are so many ways to do it, which not only show the magnanimity and style, but also have ancient elegance.
The academic background of the scholarly family was really unparalleled by Gu Weijing, which made him think that he would never be able to come up with such an exquisite word play.
Gu Weijing pondered for a moment.
I took out the tip of the brush from my mouth, dipped it on the inkstone next to me, calmly, and finally wrote on the surface of the rice paper.
"Junior Gu Weijing dedicates this tribute to Mr. Cao Xuan, whom he admires. I wish Mr. Cao to be like the oiran of hundreds of flowers and call him a longevity cup every year."
Teacher Cao, this title makes me feel Just right.
It is normal for juniors to call elders their teachers. He did not overstep his bounds in calling himself a disciple, and expressed his true thoughts and wishes.
He thought for two seconds, and then wrote the seven words "white hair with hairpins and pens and beautiful colors" below this line.
It was Ms. Tangning who inspired him.
Tang Ning likes to use allusions from Wen Zhengming, and Gu Weijing can also use the same allusions from Wen Zhengming.
The white hair and hairpins and the beautiful brush strokes are a tribute to Wen Zhengming's career achievements. He is the longest-lived great painter in the feudal history of the Eastern Xia Dynasty. There may not be one other painter who has lived since the middle of the Ming Dynasty. Lived until late Ming Dynasty. When he was born, he was still in the year of Chenghua, and when he died, Nurhachi was already born.
When Wen Zhengming was young, his artistic level was not as famous as that of Tang Bohu and others among his peers, but he lived a long life, and the older he got, the stronger his brush became.
You don’t become famous until you are thirty, you become a master at fifty, you are already the first person in the Jiangnan Painting Sect at sixty, and after you reach eighty or ninety years old, you will see a hundred years in front and a hundred years in hindsight. Almost no one is Wen Zhengming's opponent.
Return to nature, the more you paint, the more fairy-like you become.
The same expression is appropriate when used to address Mr. Cao Xuan.
These few lines of Gu Weijing's words are a bit shameless and flattering.
But that’s right.
He is just flattering
TangMs. Ning has the elegance of a scholar, and a child like him also has the transparency of a businessman.
It doesn’t hurt for a kid to be sweet.
Gu Weijing has already figured it out. The emotional guru on YouTube said in his love teaching that if you love someone, you must speak out boldly. The same goes for wanting someone to be your teacher.
You must do your job of painting seriously, and don’t just sit in the studio and paint without saying a word, as if others are rushing to accept you as their apprentice.
Xiang often flattered Mr. Cao and painted pictures to express his desire to become a disciple. He was happy and so was Mr. Cao.
How wonderful.
Gu Weijing smiled slightly and felt that he really had a good plan.
Germany, in front of the old Bauhaus-style complex of hfbk Hamburg Academy of Arts, a rehearsal of extras broke the tranquility of the past.
The photographer kept adjusting the static head movement of the Sony movie camera in his hand, and above his head was a DJI sire3 professional drone that was designing and programming air waypoints to fly back and forth.
The beautiful girl in a green backless dress was trying to create a look that the director described as "melancholic yet sexy and charming" in front of the sculpture in front of the school gate.
It’s hard to say whether it’s sexy and charming or not.
In the cold outdoor wind of less than 10 degrees Celsius in Hamburg in April, even though the girl put a shawl on her bare back to block the wind before the shooting officially started, her face was still a bit cold. Being pale and melancholy is melancholy enough.
However, the director did not give the signal to start filming, and no one in the filming location complained.
Even the heroine did not run to the camera car with the heater on, which was just a few dozen meters away, to avoid the cold wind. Everyone was concentrating and holding their breath, as if waiting for something.
Finally
A brief electronic sound of "beep" came from the teaching building in the air.
This is the unified bell ringing for the first afternoon class at the University of Hamburg.
The sound of the bell was like the referee’s starting gun, and everyone on the set immediately became busy.
The assistant took the cloak off the girl's back and threw it on the prop table aside. The drone took off and the lens was controlled by the focus operator to focus on the door of the teaching building.
"Quick, quick, quick, today there is Professor Cao's brief history of oriental art. The brother who signed up for that class said that class will end on time. Professor Cao has already gone out. In another 3 minutes and 24 seconds, the old professor He will walk out of this door and cross the lawn in front of the building from the side. The photographer is preparing to capture this shot. There is only one chance."
The director glanced at the message on his phone. Among the students who were drawn into Professor Cao's course, an internal response was arranged and he immediately gave the order. Please remember to collect it, the latest and fastest website is free to read without anti-theft