The focus of the new book is to "build a strange but reasonable and interesting fairy world." It will take more effort and thought to build the foundation of a new world, that is, how people and ghosts coexist in the world. Of course, there will also be "traditional" Xianxia routines, and they are inevitably indispensable.
But I have to explain in advance that I rarely read fairy tales or fantasy novels before, because I used to be obsessed with "cultivating one's strength but not one's heart" and "street fights in fairy skins". For thousands of years, I have held the title of various ancestors, but I am just a hooligan at heart." I have always harbored prejudices. In fact, it was only after I truly and systematically entered the world described in the ancient notes, legends, monsters, and novels about gods and demons that I I discovered a very interesting phenomenon, that is, "gods and demons are all humane, charming and sophisticated." Therefore, my initial impression that people who cultivate immortals must be "immortal-like" and "extraordinary" is extremely one-sided. Whether it is Buddhist scriptures or Taoist books, all kinds of allusions, disputes, and public cases have a human flavor. Sometimes they even make you feel that "it is not fairy-like at all." It’s just luck (incense), especially in “Journey to the West” and “Feng Shen”.
So, in my opinion, the "seemingly vulgar and non-immortal" nature of many fairy novels is precisely aimed at people's hearts. Far from being out of touch with many classical novels about gods, demons and monsters, it is in the same vein and passed down from generation to generation.
But having said that, martial arts novels are dead, but even if it takes another hundred years, martial arts will not die. In the final analysis, the word chivalrous is really the heart of every man.
As Han Shengxuan, the cat in the snow, said, who doesn’t envy the man in green shirt walking around with a sword?
The framework of the new book is very large, and it will get bigger and bigger as I write it, but I am confident that I can write that world in an interesting way, and I will also pay great attention to the balance between the story and the characters. Bead Curtain" is a dazzling array of things. After all, it is a very beautiful thing. The good things in the world are not firm, and the colorful clouds are easy to scatter and the glass is brittle. Then we can make up for it from the novel, how good it is.
(End of this chapter)