The room returned to a quiet atmosphere.
Sakai Katsuko looked at her boyfriend in front of the easel for a few seconds.
After hesitating for a moment, he obediently moved his head back to the computer screen in front of him and continued to code seriously.
For a moment, she actually opened her mouth to say something more.
Shengzi really hoped that Gu Weijing would sit in front of the computer and spend a heart-to-heart afternoon with her like he was in the library reading room of the Dulwich campus.
The father let them enjoy the process.
Create a paper together.
In Miss Katsuko’s mind, it was a two-person date that belonged to the two of them.
The warm and happy feeling it brings is in her small "romantic" list quietly, which is even better than going to the cinema to watch a movie together.
One day in the future, Sakai Katsuko longed for them to jointly create the same oil painting and hold the same joint art exhibition.
The works for the Singapore Art Exhibition
Anyway, there are still a hundred days left, so just find other time to paint.
Didn’t Katsuko Sakai just put down the painting plan for the afternoon? Besides, after the general framework structure was laid.
It’s hard to say what the essential difference will be if you draw one more painting or one less painting.
If she were a judge of the organizing committee.
Throwing out emotional bonus points, Gu Weijing’s previous Good Luck Orphanage in the Sun also reached the level of audition breakout.
No matter how fierce the competition is this year, it is only a question of whether you can win the award.
Normally, it would be a green light for such a distinctive painting to be shortlisted in the main exhibition hall.
If they don’t draw a better work, they can even submit it tomorrow.
Sakai Katsuko and Gu Weijing are at their age and do not have the advantage of Singapore’s local household registration. They have set the goal of being able to participate in the exhibition, which is already very ambitious.
If they want to take higher goals as their own, they are suspected of not knowing how high the sky is.
Sakai Katsuko didn’t know about the shocking bet between Gu Weijing and Cao Xuan about recruiting disciples. She only thought it was because of the bet reward for the Abu Dhabi Art Museum painting exhibition set by Ma Shi Gallery. bring pressure.
"Alas, this kind of extremely difficult goal to achieve, I am lucky to get it, but I am going to lose my life. Gu Jun can just let it go."
The fusion painting method is painting The crown jewel is true, and the difficulty is as challenging as climbing a snowy peak.
Monet and Renoir simply absorbed Eastern art philosophy and integrated it into oil painting art.
In essence, the technique is still that of traditional oil painting.
The more recent Korean Monochrome School, or some Japanese relief print artists, also engage in fusion.
It also reverses the Impressionist approach and uses local traditional painting language.It just incorporates Western art philosophy.
Uncle Sakai made a sharp comment. The fusion painting method was very clever, but the creative method of her little boyfriend Gu Weijing also added a lot of technical difficulty to her.
To put it simply.
Local techniques and foreign philosophies are the less difficult parts of the fusion painting.
New wine in old bottles can be compared to music, which is probably playing Alice on the pipa or guzheng, or playing Erquan Yingyue on the violin, or playing House of Flying Daggers on the piano.
It’s just a matter of changing the score, and it’s relatively easy to get started.
As long as it’s not out of tune, it generally doesn’t sound too unpleasant.
The combination of local techniques and foreign techniques suddenly increases the difficulty.
Creativity, inspiration, understanding, and high proficiency in different genres of painting are all indispensable. It has touched upon the fusion of the underlying languages of different arts, similar to using the guzheng and the violin at the same time to form a symphony. Or sing Farewell My Concubine, but using a musical stage-style singing method and modern soundtrack and lighting.
This mode of artistic transformation is more thorough, recreating a novel art form from the bottom.
The impact and subversion are both stronger.
A successful performance can be very successful, and it can also be a failure.
Gu Weijing’s current painting of Sunshine Orphanage emulates Castiglione’s “New Body Painting” painting method.
Internationally, all the masters who have become famous for this have spent decades of hard work and research before they finally have a vision.
The girl heard the eagerness in Gu Weijing's words.
Sakai Katsuko did not doubt that Gu Weijing would one day be qualified to stand in the same position as these masters, but Katsuko would also feel it.
That probably wouldn’t be today.
Uncle Sakai also told Katsuko.
The most difficult thing is the collision between philosophy and philosophy.
It has been separated from tangible things and has completely entered the realm of metaphysics. When such a work is born, in the mind of the creator, every star in the world is twinkling in his creation. , whether it is paint or musical notes, they are spinning brightly around them.
At this point, it doesn’t matter what the artistic medium is. Even street graffiti drawn casually with chalk can be like a sharp sword, piercing into the hearts of its target audience, making them feel unreasonable. The tip of my nose felt sore, and tears fell.
Whether there has ever been an artist in history who can truly combine different abstract philosophies completely and freely, even Uncle Sakai is not sure.
Pablo Picasso, the master of abstract cubism, and Marquis Dali, who pursued breaking down barriers and integrating dreams and reality on canvas, are both very challenging to the audience.
Not universal enough.
On the contrary, Professor Sakai Kazunari could hear a somewhat similar flavor in Debussy’s sea and moonlight.
Not to mention this kind of magical realm that my father said, few masters in the past and present have been able to achieve.
My boyfriend is this age.
In the field of combining the dual techniques of Chinese painting and oil painting.
If you can make your works "not weird" as a painting, you have surpassed most people in the world.
Even in countries such as Japan, Eastern Xia, and the United States, which have very developed art industries, they can still be called "the best among men" without any water.
Perhaps in terms of emotional depth, it is not as good as her girl reading poetry to the cat.
It is enough to impress many judges.
Where are the technical difficulty scores?
They are all about the same splash, a two-and-a-half-turn back in the air, a two-and-a-half-turn bend, and the straight up and down popsicle jump. The final The scores certainly vary wildly.
I may be too eager to make paintings that are "touching"
Cui Xiaoming is the son of the international great Cui Xuanyou.
His parents wished that when he was still wearing diapers, they deliberately guided their children to drink cow's milk and wolf's milk, holding brushes and brushes in their mouths, and rolling together in piles of ink and paint, just to feed them. The spirituality of painting is mellow and free from the heart.
How can it be easy to practice the day after tomorrow?
My boyfriend just experienced such a big emotional twists and turns on a small fishing boat, and now he wants to make a breakthrough, maybe it is too reluctant and risky.
Miss Sakai is thinking wildly.
She was a little worried, so she accidentally pressed the wrong keyboard keys and typed several wrong letters.
DOS’s built-in wrong word annotation function immediately left several eye-catching red lines on the screen.
Katsuko hit the delete key a few times, grabbed a small pillow with a rabbit pattern from the sofa next to her and stuffed it into her arms. She also peeled off a lollipop and put it in her mouth.
The sour and sweet taste entered my mouth, and I suppressed the urge to speak.
She knew it from a very young age.
Respecting each other’s artistic choices and giving each other ample space to paint are the first principles for art student couples to get along.
When a good girlfriend or boyfriend discovers that their partner is not in the right state.
Be brave enough to press the pause button for the other party.
When Shengzi saw Gu Weijing's ghostly appearance in the botanical garden, he domineeringly poured a basin of water down on him.
More often, you have to learn to let go.
Especially when she believes that her lover is mature enough, no matter how optimistic Shengzi is about his attempts, all Shengzi needs to do is to encourage and hug him in time after failure, instead of pulling his ears. Tell him "Don't try, you can't do it anyway."
As far as I can remember, my mother never criticized my father before entering the studio.
Even Uncle Sakai and his daughter Katsuko could see that he was clearly doing painting at certain times.Under the guise, I hid in the studio and secretly ate matcha daifuku and mochi dumplings. My mother rolled her eyes and curled her lips to endure it.
At this moment, Shengzi resisted her worries and the urge to have sex with her boyfriend, and devoted herself to revising her paper.
"Anyway, Gu Jun has been painting all morning, and he is in a good mental state and energetic. At most, he did not achieve the desired effect, so it should not put too much burden on him."
Miss Sakai whispered to herself.
The sound of gentle water flow sounded.
Gu Weijing casually put the paintbrush in his hand into the brush washer containing thinner next to him.
Shake gently.
The remaining paint between the brushes gathered into a small vortex, and then spread around, dyeing the newly replaced brush wash water into a hazy and layered sea blue like the sky on the canvas.
He completed the base drawing of this painting before lunch. Gu Weijing originally thought that it would take another two or three hours to completely fill in the colors.
He has painted the same painting twelve times, and traced it with similar brushwork twelve times. He has already become a skilled worker on the assembly line.
What makes the fusion painting technique complicated is the concept rather than the painting process.
For the recent paintings, the fastest one took only four and a half hours from drafting to finishing.
This time there is another breakthrough in Chinese painting techniques. Gu Weijing planned that his brushstroke speed should be faster.
Who knows.
It took more than half an hour just to trace the blue vista of the sky.
If Gu Weijing knew that Sakai Katsuko was worried about him, he would be moved, smile and shake his head, indicating to the other party that this was completely unnecessary.
When he was in a state of confusion, he would scribble some wisteria petals on the tip of his pen, but he was still exhausted from drawing, and he wanted to tear the drawing paper into pieces and eat them all.
When he is quiet and peaceful.
Although it took him so long to paint the simple sky, Gu Weijing still felt extremely relaxed. His whole body was wrapped in the joy of art, and he could hardly feel the passage of time.
The painting has slowed down, but the expressiveness of the entire painting after coloring has undergone a qualitative change from the previous eleven photos of Sunshine Orphanage.
In the beginning.
Gu Weijing just followed his usual habit and used cobalt blue mixed paint to color the sky.
At first it was just smearing like muscle memory, but gradually when the sun shifted, a beam of sunlight came out from the gap in the clouds, and it happened to shine on the side of his face.
He subconsciously turned his head and stared at the sky.
Gu Weijing suddenly felt that the color of the sky outside the side window had changed.
The sky is no longer just blue, but also lemon yellow, light cyan, and other complex and indescribable colors, forming a wonderful combination.
The sky is like a huge piece of dyed cloth.
Reflections of sunlight, clouds, and sea surfaces.
Ever-changing.
It is a colorful blue, a glazed blue.
In the Dulwich art class textbooks, among the lengthy academic papers that he and Shengzi had read. Every teacher, expert professor takes the trouble to use the same sentence to repeatedly summarize the main theme of Impressionist painting
"Impressionism is about the aesthetics of light."
Gu Weijing is painting His works are based on Castiglione's painting method and are not the same thing as Impressionism.
But art may be geographically divided, but ideas always lead to the same goal through different paths.
He saw the skylight outside the window and looked at the paint in front of him. He recalled that when he used calligraphy and painting appraisal skills to appreciate Renoir's "The Ball at the Pancake Mill", he heard in his ears "We only record sunlight and air" sound.
Suddenly, it was like being enlightened.
He then understood what is the aesthetics of light.
Gu Weijing changed the usual paint mix.
He copied the flowing thundercloud colors in Carroll's paintings and used them in the coloring of this Sunshine Orphanage.
Continuously adjust the color of each part of the paint. The part close to the sun increases the brightness, making the blue sky shine particularly brightly, while some dark sides covered by thin clouds are painted with A darker color.
There is also the beautiful harmony between the blue sky and the big green trees, the cut velvet-like color of the broken sky among the leaves.
The more you observe, the more beautiful it becomes.
The more beautiful it is, the more indescribable it is.
Every plant and tree, three thousand worlds, is infinitely wonderful.
He expected that Chinese painting techniques, which had been his shortcomings for a long time, would become his strongest point overnight, which would most likely bring considerable help.
He anticipated the result correctly, but not the process.
The professional second-level Chinese painting technique did not allow him to make any major breakthroughs in freehand brushwork or the like, but it made him aware of the thousands of turns of light, as if a star shot out from a completely unexpected place. of bullets.
Penetrated through the fusion painting barrier that had been blocking Gu Weijing.
The sky is always the same sky, but the painter under the blue sky has a different state of mind.
When he was painting in the past, he could see the changes in light in the sky.
When all his energy was taken up by the brush in his hand and the brush in front of him, he no longer had enough energy to appreciate and contemplate.
Gu Weijing’s writing is not relaxed now, but his mood is very light.
For the first time in my life, when I combined painting with painting, I felt that it was light and smooth, smooth and smooth, and easy to do. Please remember to collect it, the latest and fastest website is free to read without anti-theft