Gu Weijing was in high spirits.
He changed his brush and continued to fill in the manuscript smoothly.
The sky, the trees, the big locust tree and Uncle Alai under the locust tree.
His strokes are short and quick.
It is complicated where it should be complicated, streamlined where it should be streamlined, and gorgeous where it should be gorgeous.
As time passes, different color layers are layered on top of each other, and a large number of details gradually fill the linen canvas.
“The layering of the picture was suddenly pulled out, and the depth of field of the entire painting was also highlighted, as if a 3D space was established from a two-dimensional plane.”
p>Sakai Katsuko held her laptop and walked to her boyfriend.
The lollipop in her mouth had long been melted by the sucking, but Shengzi still couldn't help but bite and bite the plastic stick in her mouth.
"That's great."
Unconsciously, she had been standing behind Gu Weijing for more than 20 minutes.
At a quarter of an hour before four o'clock, Ms. Sakai had already finished writing a simple reply letter to the editor.
After the outline is drawn up, the reply to the editor will be very templated.
She quietly walked behind Gu Weijing with the computer, hoping to let Gu Jun take a look when he stopped drawing for the time being.
After making sure that he had no objection to his wording, he submitted it to Asian Art.
She can then go on to revise the paper.
As a result, for such a long time, Gu Weijing painted smoothly and in one go, without any intention of taking a break.
Sakai Katsuko also stood not far behind him, showing no intention of moving.
The painting is not finished yet.
Katsuko already felt that this painting was fundamentally different from the series of Good Luck Orphanages in the Sun created by her previous boyfriend.
She felt the extraordinary attraction contained in this picture.
“What attracted me to this painting? Is it the majestic vastness of the distant scenery, the changeable splendor of the glow on the horizon, the swaying of the layers of branches and leaves on the tree trunks like waves, or the profile of the janitor under the locust tree. The deep wrinkles and scars that look like mysterious witchcraft symbols make me feel the comfort and tranquility of the afternoon sun, and they also make me feel the distant freshness of spring."
Sakai Katsuko holds the computer I stood there for a long time, asking myself this question.
Finally.
The girl came up with the answer in her heart
It’s all.
The biggest difference between this painting being created by Gu Weijing and his previous works is that everything is different.
The same base map, similar painting methods, but a completely different charm.
Sakai Katsuko stood there and watched Gu Weijing paint, feeling that he looked very charming now.
Except in the eye of the beholderIt is a cliché that men who focus on their work are the most handsome. It is an extremely pleasing thing to simply watch a work that can touch people's hearts and be born under the painter's pen.
This is the same as food lovers watching those food bloggers with tens of millions of fans on YouTube pat steaks tenderly.
The girl stood still, watching Gu Weijing print the skylight outside the window into the texture of the linen canvas. She never got tired of watching it, and she never felt tired at all.
It wasn’t until Gu Weijing finished drawing the texture on Uncle Alai’s body, changed to a new pen, stepped back half a step, and unconsciously put the pen tip into his mouth again.
The girl frowned unhappily.
"Gu Jun, this painting is so different from the previous works."
Gu Weijing heard Shengzi's voice coming from behind him, and his hands were empty. The pen in his mouth was taken away.
"Open your mouth."
Miss Sakai came over and held out a peeled lollipop, ready to feed it.
"Sorry, I forgot, I won't eat the lollipop. I'll make sure the pen is clean next time." Gu Weijing found Shengzi next to him and grabbed him.
I could only shake my head in embarrassment.
Gu Weijing always felt that at this age, like Jasmine, eating lollipops seemed a bit childish.
"No, opening your mouth must allow you to form new muscle memory, otherwise you will always get lost in painting and put the uncleaned brush in your mouth."
Sakai The stubborn look on the young lady's face at this moment was a bit like her mother's style when she caught Uncle Sakai secretly eating barbecue, and said in an unquestionable tone, "Open your mouth, ah, if you don't like lollipops, I will change them to fresh lemons next time." , it’s your choice.”
“Then it’s a lollipop.” Gu Weijing had no choice but to obey.
"Be good. Licking paint will make your hair fall out. Let's get rid of this bad habit together."
After Sakai Katsuko successfully stuffed the lollipop into Gu Weijing's mouth , nodded with satisfaction, raised his arm and touched his hair.
"Have you finished writing the email?"
Gu Weijing saw the computer that Shengzi was holding.
The girl nodded.
"It's not important. We'll talk about this later at dinner. I really shouldn't bother asking you to write a paper with me at noon. You're right, Gu Jun, you are in such a good state today Okay, the painting is also very beautiful."
Katsuko looked at the drawing in front of her and said to herself.
“The sun shines down from the upper side of the picture, passing through the clouds, flowing through the blue sky, and through the shadows of the dancing trees, guiding the audience’s sight to gradually move until The face of Uncle Alai in the center of the screen completes the process of entering the picture. "Then it is directed to the little girl washing her hair through Uncle Alai's eyes." “Finally, through Jasmine’s body movements pointing at the Virgin Mary sculpture,Let your eyes return from the dark part in the shadow on the right side of the picture to the high point of the composition, forming a triangular circular appreciation circuit. "
Miss Sakai stood by the easel, pondered for a moment, nodded and shook her head.
"Gu Jun, I know your painting ideas, and the same is true for those previous paintings. This one The light in the work is so vibrant. Is it a matter of color adjustment? Can you teach me? ”
Sakai Katsuko had an expression full of curiosity.
She discovered the mystery of the light in this painting at a glance.
Painted by Gu Weijing It's a fusion painting, and her painting of the girl reading poetry to the cat is a serious and orthodox impressionist work.
It's strange that Katsuko feels like she's being scratched by a cat.
p>
Gu Weijing was silent for a moment.
He was very happy to share his painting experience with his girlfriend, but his experience was very mysterious. He was thinking about how to express it more accurately. A little.
“I’m drawing an apple. "
He thought for a minute and finally gave what he thought was the most accurate summary.
"Draw an apple"
Shengzi thought he heard it wrong , blinked his eyes several times, looking blank.
“Yes, it’s just drawing apples. This is what Professor Lin Tao told me some time ago when he was giving me a class on WeChat. "
Gu Weijing nodded seriously.
At first, he just noticed the beautiful changes in the sky.
Yue Hua.
The more flavor he figured out,
When Professor Lin Tao was talking about the philosophy of painting, he mentioned that the senior masters once said that governing a big country is like cooking small vegetables, and painting ink landscapes is like painting apples. .
“Apple vendors see countless varieties of apples every day, so they can already look at them indifferently, no matter how beautiful or ugly they are. Children may swallow them when they see one. If the saliva is too green or if there are insects, it is not known to be disgusting. Only the painter's attitude towards apples is different. "
Gu Weijing stared at the easel in front of him, while playing with the paint on the palette, he slowly decomposed it.
"Shengzi, this is how we learn art. , I have drawn a lot of apples in the modeling classes since I was a child, right? ”
“Yeah. Some are real apples, while others are waxy, plastic fruit models. "
Sakai Katsuko nodded. Apples, oranges, wine glasses, etc. are almost the most familiar things for art students when they practice sketching.
"Professor Lin Tao Let me tell you, among all professions, painters have a different mentality when looking at apples when sketching. They don't know how to sell them, so they are like hawkers who care about the variety, but they don't know how to eat them, so they are like greedy children. Care about whether it is sour or not. When a painter sees an apple, he must look at it seriously. We only care about its own beauty. ”
“An outstanding painter, even if there is only a piece of crap in front of him,When a fallen apple falls, you should calm down, shut out distracting thoughts, use a humble attitude and a pious attitude, observe it as a rare phenomenon that you have never seen before, describe it, describe the dust on its branches and leaves, and describe it on the plate. reflection, the gradient color on the insect’s eyes, the immature green texture. ”
“When you observe the world with microscopic eyes, you can always see the beauty that you have never noticed.” When a person is calm enough to find infinite beauty in rotten apples, then the door to a new world opens to you. ”
“You will find that the beauty of nature is hidden in every aspect of the world. In apples, in vases of flowers, in the yard and in the fields, the infinite world hides infinite pigments and infinite beauty. This is what freehand ink painting is like. "
Gu Weijing looked at the sky outside the window.
"Even if one day you paint the dome of the Sistine Cathedral, you should have the mentality of painting an apple. This is Professor Lin Tao’s Apple philosophy, and I now begin to understand what Professor Lin Tao is talking about. ”
“Another point is my painting skills. I can feel the progress of my painting skills. My mentality determines the upper limit of my works, and my painting skills determine the lower limit of my works.” ”
It is really difficult to skillfully combine painting methods from different schools from a technical level.
Unless
like Gu Weijing Similarly, only when everyone has reached the second level of professional skills can they feel relaxed and contented.
The second level of professional skills does not look very powerful, at least not that powerful.
Tang Ning is in her twenties. At that time, he was already at the level of a master, but Katsuko Sakai has no system, and his painting techniques have still reached this level of evaluation.
Selected exhibitions from the master group on the official website of the Singapore Art Exhibition. , there are even second-level professional painters walking around.
This is a typical survivor bias.
Not to mention Tang Ning and Sakai. Both Shengzi are typical examples of cheating in painting and cheating in life.
Whoever said that my father and master are top artists is not a living cheat
A painting. The auxiliary system of experience points and the nine-figure profit of giving birth to the father, the two choices are put on the Internet for people to vote.
To be honest, it is not necessarily who will win. Bar
With Menzel's sketching skills, Gu Weijing started to work part-time online selling illustrations for US$10 a piece to earn extra money
Whether a painter can become famous depends on his skills. Part of it, not all.
As for the Singapore International Biennale, which is a cultural business card of developed countries, saying that second-level careers are not surprising is like talking about the college entrance examination on the campus of Qingbei. A score of 650 is very ordinary. To ordinary people, it is unreasonable and arrogant.
Who would hold a work of this level to be the backbone of a small gallery opened in a small city like Gu Tongxiang. , and wasted half a lifetime on the first-level professional level, if notUnexpectedly, it will be appreciated by veteran painters who will remain at the first level of their profession for a long time.
It means that this level is ordinary and you can draw it casually.
Old man Gu was smiling, but he must have been so angry that he wanted to jump over and bite you on the nose.
It’s so humiliating
In the entire circle of art students, the standard for second-level careers is the big filter.
Getting started in a career requires hard work, while getting started as a master depends on talent.
The vast majority of art students who are willing to work hard, as long as they are willing to invest time and energy, will have a chance to reach the first level of v4 career.
Therefore, first-level professional painters are not uncommon in the world of artists.
Even if Mrs. Sakai doesn’t like Mona’s talent at all.
As long as the President of the Women's Student Union is willing to work hard for a long time, maybe she will be able to reach a professional level by the time she is in her late twenties, late twenties, or mid-thirties.
Of course.
Whether you will starve to death because you can’t make money, or if you can’t persevere and change careers early and give up your career as a pure painter, that’s another matter.
To put it perhaps politically incorrectly, the life of an artist is not for the poor.
Among the group of European and American female art lovers, a high proportion of housewives from the wealthy class are found. Since the 19th century, white ladies from the families of farmers, industrialists, lawyers and doctors have loved painting and have been the main force in the portraits of women consumed by galleries and painting dealers.
It’s because they have leisure, time, and money and don’t really need to make money by painting.
It is just an artistic hobby that cultivates and cultivates sentiments.
With these three elements, the threshold of art in front of you will be much lower than that of ordinary people.
From the perspective of proficiency in using brushes, these housewives are often not too low, and are even better than many professional painters who engage in avant-garde art. This is common.
Mona has long regarded this kind of life as an ideal, and she also has a very clear positioning plan for life, and is a typical example of being independent.
The opposite is true for masters. When many art academy professors teach, they like to compare masters with top athletes and tell everyone that they want to cultivate master-level painters.
The key is not how to teach, but how to find him.
If you are born with this talent and this understanding, you can eat this bowl of rice.
Without enough painting talent and creative acumen, just like many people are destined not to have the opportunity to run 100 meters under 9.6 seconds, you cannot become Usain Bolt, nor can you become a painting master. Please remember to collect it, the latest and fastest website is free to read without anti-theft